35mm · Film photography · Photography

House reflected (once more)

Today’s picture shows the same house I posted a photo of a few days ago. This shot was made on the same day, although mybe half-an-hour of so later. It was also shot with a different camera and film, and from a different vantage point – this one involved me venturing into the edge of the river (thankfully not deep or fast!) to get a composition I liked.

A little downstream from here is a small weir and I ventured down past it to try and get a picture of a bridge. The picture didn’t really work as the weir kinda seperated the foreground of the scene too much in the frame, but it did result in an amusing experience when a duck, just upstream of the weir, spotted me and swan towards me – perhaps expexting some food – and just nonchalantly paddled right over the edge and into the water below with a “plop”.

House reflected B&W

Olympus XA3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 30 April 2022

Film photography · Medium Format · Photography

Out with the Holga part 1

On the day I tried out my first roll of the new Kodak Gold 120 variant, shot with my Yashicamat, I also took the Holga with me. I still had a couple of rolls of the “bad batch” Fomapan 100 (the one that liberally sprinkles little white specks on the resulting pictures), and it seems a good fit to shoot it with the Holga as, while I don’t want to use faulty film with the camera, it is great at covering up such defects due to its uniquely rendered images. I also have quite a stash of film at present and aim to try and get through some of it this year.

This was the first time I’d used the Holga in over a year – the last time was for some snowy shots back in January 2021 – and it’s easy to forget how much I like the pictures it produces. While this roll didn’t produce twelve bangers, I still got several I was happy with, and so I’ll post them here today and tomorrow.

I developed the roll in some of my remaining trial bottle of Adox Adonal (Rodinal in all but name) and used a 1+24 dilution which gave a pleasingly short 4 minute developing time. I’m pretty happy with the way they’ve turned out.

Corner plot
Communicate
Behind the pollarded trees

Holga 120N & Fomapan 100. Adox Adonal 1+25 4mins @ 20°.

Taken on 10 April 2022

Film photography · Medium Format · Photography

Twist

Here’s another couple of photos of a grnarled and twisted tree on the upper slopes of Padley Gorge. I’ve photographed it before, including this digital shot made on the same day. The whole area is filled with interesting trees to be photographed and, when the weather is right – especially with some mist present – the opportunities just seem to multiply.

Today was my last day off before returning to work tomorrow. Before Christmas I’d intended to go out with a camera on a few occasions but, apart from the day I made the shots featured here, I’ve not done any photography beyond making pictures of my family. I’ve instead just spent a lot of time watching TV and playing videogames. I do have the itch to get out and make new pictures, and today had some lovely winter sunshine I could have taken advantage of, but sometimes it’s nice to just chill out and relax with other things and I’m glad to have taken the time to do so this Christmas.

Analog twist
Dark perch

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Ilford Delta 3200. Ilfotec DD-X 1+4 9.5mins @ 20°

Taken on 23 December 2021

Film photography · Medium Format · Photography

Twisting trunk, the end of Christmas, and Covid

Another Padley Gorge photo today, again of a tree right up near the top of the wooded area where it opens out into heather and bracken covered moorland. There was another photographer making pictures of this same tree when I was there, so we were being careful not to get into one another’s shots.

Today was the day the Christmas decorations came down. I think the intent had been to dismatle them tomorrow but we ended up with a gap in the schedule this afternoon, so got it over and done with. I always used to find taking the decorations down a horribly depressing task, like it was making real the fact that the festive period and all the buid-up was done, and it was just back to work / school / wet and cold January days with not much to look forward to in the immediate future. It would really get me down and the house would look bare and empty with all the trees, lights, garlands and other trimmings packed away.

I don’t seem to feel it nearly so much now (and, if I’m honest, the excitement in the run up to Christmas either). I’m not sure exactly why this might be. Perhaps a sign of getting older? Maybe the fact that our kids are not so young and some of the magic has disappeared? Whatever the case, I don’t feel down like I used to. While I don’t want to lose my fondness for Christmas, losing the post-Christmas blues is not something I will complain about too much.

Both of my kids who still live with us have now tested positive for Covid-19. One late last week, the other today. Neither of them seem particularly ill – they have cold-like symptoms but not much else – and they’re still playing video games and watching the stuff they find entertaining. My wife and I are (so far) still testing negative. It’s actually something of a mystery how the first one managed to be infected – he hasn’t left the house since mid-December and the only visitor we had prior to him starting to feel ill was his big brother who came over on Christmas day (but he’s not been positive either). I’m assuming that either my older son, or my wife and I were infected but asymptomatic at some point and passed it on, or we’ve brought something contaminated into the house. It’s a bit of a puzzle to be honest.

Sinuous

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Ilford Delta 3200. Ilfotec DD-X 1+4 9.5mins @ 20°

Taken on 23 December 2021

Film photography · Medium Format · Photography

Can’t see the wood for the fog

A couple of days before Christmas I took myself out into the Peak District national park. The weather forecast showed fog, with rain expected later in the day, so I headed to Padley Gorge in the hope of getting some nice woodland scenes.

Padley Gorge looks great at pretty much any time of the year, being a steep sided valley filled with tumbles gritstone boulders, twisted and gnarled trees, and the peat stained waters of Burbage Brook cascading through the bottom on its way to Grindleford and it’s appointment with the River Derwent beyond. In the fog though, well those twisty trees take on a whole new level of character and the place feels like something out of a Tolkien story.

I shot a full roll of Ilford Delta 3200 film during the outing, as well as making a number of digital photos with my little Ricoh GRIII compact (the image stabilisation on this little camera is excellent, and I am able to drop the shutter speed down to 1/8 second handheld and still get sharp images, making it an excellent companion to other cameras). I decided to shoot the Delta a stop over at 1600asa and to then develop it at box speed. It’s a grainy film, but I thought that it might suit the murky conditions that presented themselves on the day.

I’ll be sharing a number of these shots over the coming days, and here to start us off are a couple of eerie looking large trees that stand at the head of the gorge.

Above the gorge
Great old one

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Ilford Delta 3200. Ilfotec DD-X 1+4 9.5mins @ 20°

Taken on 23 December 2021

Film photography · Medium Format · Photography

High contrast oak

I had to pause before making the photograph in todays post. The sunlight was getting increasingly bright when I found the tree and the contrasts of light and shadow were pretty strong – perhaps too much? But it caught my eye and I felt there was a picture to be had. I think I’d have ignored it if I’d been shooting digital (and definitely if I was using slide film!), but I had HP5+ in the camera back and I thought it would handle the extremes.

It didn’t let me down and, despite the dynamic range of the scene, there is still detail in both highlights and shadows.

Out of the coner
These twists of wooden lightning
Spark up from the earth

Branching

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 6 April 2021

35mm · Film photography · Photography

Over the M1 and past a barn

This follows on directly from my post a couple of days ago about my walk over the fields near Aston. Another four photos from the middle(ish) section of the walk.

It was dry on the day of the walk and the ground was firm, but there were reminders of how the conditions can change when wet weather has occured, both in the shape of these tractor tracks, and also the signs of footprints in the dried surface of the footpath.

Tracks
Dry ground

Across another field the path splits – turning right and heading south along the western edge of the mortorway, or left where I walked up an incline to the bridge across the M1. Just before crossing the bridge I made a photo of a farm track where it ran through a stand of trees.

Through the trees

Crossing the motorway in the crisp spring light, I made another picture, this time of the road heading north. A little further up is the junction where the M18 splits to take drivers north-east to Doncaster, Robin Hood Airport, and on to Goole. The M1 itself bends westwards to split the gap between Sheffield and Rotherham, crossing the River Don over Tinsley Viaduct close to the Meadowhall shopping mall, before turning back north to Barnsley, Wakefield and Leeds.

M1 North

After crossing the motorway, the footpath cut to the right and south towards a nearby farm. The farm had a large open-sided barn which made opportunity for another couple of pictures.

Barnyard
Open barn

I did make one final photo on this roll of Delta 100 a little further on where a line of poplars framed a nice wooden door and cottage. Sadly the film snapped while loading it onto the spiral and so that frame was lost.

I’ve more photos still to come from this walk, but they’re colour pictures so I’ll post them another day.

A big wooden barn
It’s sides open to the wind
Contents blown away?

Olympus OM-2N, Zuiko Auto-S 50mm f/1.8 | G-Zuiko Auto-W 28,, f/3.5 + orange filter & Ilford Delta 100. Ilfotec DD-X 1+4 12mins @ 20°.

Taken on 5 April 2021

35mm · Film photography · Photography

A broken bird-box and a creaky tree

While out in the Peak District the other week I took a brief wander into the birch trees close to Surprise View to look for potential photos. There are countless pictures to be had, but it’s not always easy to eke them out. I didn’t stay in the arera long and made just three or four photos including the two here today.

The first is of a bird-box affixed to one of the trees. There are a number of these boxes throughout the place, but this one has been damaged somehow – whether by human, animal, or natural forces I do not know. It’s a bit of a fixer-upper now though.

Broken bird-box

While I was making the photo of the bird-box I could hear the trees creaking in the wind around me, but it was only when I looked up that I noticed the soun was coming from a tree I was stood beneath. It’s trunk was broken partway up and a significant section of the upper part of the tree was swinging in the breeze. I don’t think it was at imminent risk of breaking free and landing on my head but I moved out of the way nontheless.

A broken tree trunk
Swinging and creaking above
I’m glad it stayed put

Creaky tree

Olympus OM-2N, Zuiko Auto-S 50mm f/1.8 + orange filter & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 29 March 2021