A line of trees

Another shot made possible by having the XA3 in my coat pocket. I did have my Fujica GW690 with me on the day, but that had already greedily eaten all my 120 film in it’s limited eight-shot stomach. So the XA3 came to the rescue for any other pictures I spotted.

I honestly didn’t know if this would be a nothing shot at the time I took it. I spent a bit of effort to make sure the trees all had separation (as much as possible, at least – there’s a background tree hiding behind one of the foreground ones), but the scene didn’t look all that inspiring to the naked eye. However, seeing it appear in black and white, I realise what it was that had caught my eye, and it’s one of the best pictures from the day. There’s something about the way a camera renders a scene that can make it different, and more interesting, than what was seen with the naked eye. The opposite can be true as well, of course, but in this case the camera captured it better.

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken on 27 January 2024

Sunlit woodlands

While walking around the Derwent reservoirs, my descent back to my car took me through some pine forest where the low winter sun was shining beneath the canopy illuminating the trunks of the trees.

I attempted two shots with the XA3, which didn’t turn out badly at all – I was expecting camera shake as, despite the sunlight, it was still quite dim beneath the canopy, and braced myself against trees to attempt to keep the camera steady. Luckily there is only perhaps minimal evidence of any shake.

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken on 9 January 2024

Trees across the water

About halfway along Derwent reservoir there is a tributary on it’s western bank where a side valley joins the main. It was across this part of the reservoir from the south that I noticed these trees and the reflections of their trunks in the dark water.

Because of the time of the year the sun was low in the sky and cast a shadow across the water and the foreground trees, while those a little further back caught its light. I liked the layers and contrast that this created.

Yashicamat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°

Taken on 9 January 2024

Yikes!

I almost forgot to write and post my blog this evening!

I faffed around doing stuff on the computer for a bit after work, then took a shower and headed downstairs to veg out for the evening (“veg out” actually means “be remorselessly harassed by my two self-centred cats for a couple of hours“…). I was about to take my cup of tea into the living room when I remembered.

I’m approaching my two-thousand-consecutive-daily-post milestone this year, so I’d like to try and make it there if I can. Not that it really means anything. But, yet, somehow it does…

Yashicamat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°

Taken on 9 January 2024

Hiding in plain sight

It’s been a while since any pylon / power lines photos appeared on the blog, so let me rectify that…

Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted using Negative Lab Pro.

Taken 25 November 2023.

Autumn trees

I was going to say that this post features the last of this year’s crop of autumnal pictures, but I have a few more on a roll of 35mm Kodak Gold still to be uploaded, so there will still be a few more to share (although I expect it will be after Christmas before that happens, unless I move them up the schedule).

The two pictures here were taken near the village of Barlow in Derbyshire, not too far from Chesterfield. I’ve driven past the lone tree pm a few occasions and noticed that it has a handy public footpath running through the field beside it. Whit it was the main reason I got out of the car with my camera, I think I prefer the first shot of the woodland, which has a nice selection of autumnal tones against the slightly hazy blue sky. The lone tree is ok, but I think there is a better photograph to be had.

I’ve managed to shoot (almost) a couple of rolls of 120 Ilford HP5+ this weekend during an overnight trip to York with my wife to visit the Christmas market. I’m not sure how they will turn out – I rarely make my best pictures when I’m out with someone else, and always feel like I’m rushing or missing things. I’ll hopefully get a chance to develop them soon though, so we shall see…

Bronica ETRSi, Zenzanon 150mm f/3.5 MC / Zenzanon 75mm f/2.8 PE & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 25 November 2023.

Scenes from an autumn walk part 2

Following on from yesterday’s post showing pictures taken on Lomography Color Negative 400, here’s a (smaller) selection of images that I shot with Fujifilm Pro 160NS.

I’ve already posted a couple of images individually from this roll here and here. Despite taking the full fifteen images that the ETRSi provides per roll, I haven’t uploaded that many of them. Many of them felt samey, or I didn’t get the results I’d hoped for. Also, while the day had great light, by the time I shot this roll the sun was already higher in the sky and starting to feel a bit harsh and this, coupled with the lack of clouds in the sky, left a few of the images looking a little bland. I might be able to tweak the editing to get more from them, but that’s something for another day (if I do it at all).

This first shot of the fungi-covered tree stump is my favourite of the set, but the third picture found it’s way into Flickr’s Explore selection, so received a lot more online popularity.

Bronica ETRSi, Zenzanon 75mm f/2.8 PE / Zenzanon 150mm f/3.5 MC & Fujifilm Pro 160NS. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 11 November 2023.

Scenes from an autumn walk part 1

Blessed with fine weather and on a day where I could take advantage of it, I headed out to the area around Padley Gorge and the Longshaw Estate one Saturday morning in early November with the hopes of catching some autumnal scenes.

The pictures posted today are ones I shot on a roll of Lomography Color Negative 400 with my Bronica ETRSi. Tomorrow I’ll post another, smaller set, that I shot on Fujifilm Pro 160NS.

Bronica ETRSi, Zenzanon 75mm f/2.8 PE / Zenzanon 150mm f/3.5 MC & Lomography Color Negative 400. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 11 November 2023.

Port-side trees

A mini theme today, with a couple of shots of trees at the Port of Malaga. That cruise ship in the background? Yeah, you’ll be seeing more of that soon.

Nikon F80, Nikkor 28-80mm f.3.5-5.6 AF-D & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro

Taken 18 August 2023.

Sherwood Forest Scenes

I’ve never visited Sherwood Forest before, despite it being only half-an-hour’s drive from where I live. I’ve visited Clumber Park and it’s surrounding woodland on many occasions though, and I guess that’s all part of the original much larger area of forest.

The trip I took last month was mostly intended to photograph the Major Oak but, if I’m honest, it’s not all that photogenic and, due to the fences that surround it, the compositions are a bit limited. I’m sure that, under good conditions, there are many good photographs to be had, but I feel that the other trees (including many other ancient oaks) withing the forest are perhaps better subjects.

Today I’ve posted a few other pictures from the trip. I think I might try to return in a few weeks when tthe autumn colour is in full effect.

Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.

Taken 23 September 2023.