Broken millstone

As I clambered over the rocks to get to the foot of the crags at Curbar Edge, I came upon this broken and weathered millstone.

FILM - Broken millstone

Canon Sure Shot Z135 & Lomography Color Negative 400.

Taken on 12 May 2019



I took a trip out to Curbar Edge in the Peak District on Sunday with the hopes of photographing people climbing the rocks. This is one of the photos I took while walking up to the main crags. You can just make out a few people perched atop and beside the rocks if you look closely.

FILM - Ridgeline

Zeiss Mess-Ikonta 524/16 & Ilford FP4+.

Taken on 12 May 2019


This somewhat dillapidated farm building is marked on the map as “Hollins”. Although the sun was already rising quite high in the sky by the time I took this, there was still plenty of side-light and contrast and it’s probably my favourite shot from this roll. It’s been cropped to remove a section of largely featureless sky.

FILM - Hollins

Yashica Mat 124 G & Fomapan 100.

Taken on 26 April 2019

A footpath near Edale

A gate on the footpath I took when heading back towards Edale a couple of weeks back. I believe the peak you can see at the far left background is The Nab on the south-eastern edge of Kinder Scout.

FILM - A path near Edale

Yashica Mat 124 G & Fomapan 100.

Taken on 26 April 2019


One of the cameras I picked up at a car-boot sale the other week was an Olympus OM-10. It came with a Zuiko 50mm f/1.8 lens (that was clean but faulty) and the manual adapter that plugs into the front of the camera to convert it, as you might expect, so that it can be used fully manually.

The light-seals looked like they’d seen better days – just a thin, plasticky coating remained in most cases – so I took the time to remove the old material and fit new seals. When that was done, there was nothing more than to take it out for a test.

Comparing it to my OM-1, the OM-10 feels somewhat flimsy. Not so much in its weight of the feel of the body, but the dials feel looser and far less well constructed than the other camera. Despite this slight misgiving, everything on the camera appears to work ok, and the roll came back from processing with no unexpected issues.

I’d used a Cimko 28mm f/2.8  lens that I bought from a chap on a forum a year or so back. The first results with the lens (on the OM-1) had been disappointing – most of the shots were soft compared to the Zuiko 28mm f/3.5 I also own – but having recently re-scanned some of the photos on the Plustek, it’s become apparent that it was my scanning that was to blame. The Plustek holders keep the negatives much flatter than my Epson V550 holders, and I think the original softness had been the result of slightly bowed negatives. As the Cimko has a nice “macro” mode, this is good to know as it gives me some additional flexibility in the shots I can take with my Olympus cameras.

The shot I’m sharing today is nice and sharp. I converted it to black and white in Lightroom as, although it was taken in some soft golden-hour light with a lovely warm glow, the mono image just has more punch to it, which I prefer.

FILM - Tree-o

Olympus OM-10, Cimko 28mm f/2.8 & Agfa Vista Plus 200 (converted to B&W in Lightroom).

Taken on 19 April 2019

A pond in the distance

This is probably a bit of an everyday type shot, but I liked the scene enough to press the shutter, and the Portra has captured the colours wonderfully. I don’t think it would work without that big white cloud though.

FILM - There's a pond down there

Yashica Mat 124 G & Kodak Portra 400.

Taken on 17 March 2019

Manor Lane

A scene I’ve photographed before (not long after I first got the Yashica Mat, in fact). I’d hoped for a few more puddles in the road, but only got a trio of small ones in the shot. The dry road surface doesn’t make for a bad leading line though.

FILM - Manor Road

Yashica Mat 124 G & Kodak Portra 400.

Taken on 17 March 2019