Film photography · Medium Format · Photography

Seaside bungalow

I’ve made pictures of the bungalow in today’s post twice now. It’s a wonderfully photogenic little house.

This one was shot on medium format film with my Yashicamat 124G, but the previous picture was shot with a Ricoh GR III digital compact.

Seaside bungalow

Yashicamat 124G & Fujifilm Pro 160NS. Lab developed, home scanned, & converted with Negative Lab Pro.

Taken on 17 September 2022

Film photography · Medium Format · Photography

Mill house

The house in today’s picture is clearly a former windmill. When it became a residential building, I know not. It looked like a good subject for a picture or two though.

I took a couple of pictures of the house and, while I was doing so, I was observed by a lady looking out from a window in a nearby property who was engaged in a telephone conversation. I smiled at her when I saw her watching, but her face remained resolutely stern and she didn’t return the expression. The first shot I took was with my Nikon F80, a fairly standard looking SLR camera, but I wonder what she thought when I pulled the distinctly old-fashioned-looking Yashicamat 124G TLR from my bag to make the photo below? I did smile at her a second time as I did this, but again to no trace of a similar response. I wonder what was said about me on her phone call that day?

Windmill living

Yashicamat 124G & Fujifilm Pro 160NS. Lab developed, home scanned, & converted with Negative Lab Pro.

Taken on 17 September 2022

35mm · Film photography · Photography

A big white house

I’m kinda eking out some of these Kodak Gold photos at present. This is not because I’ve run low on stuff to publish, but because most of the shots I’ve processed recently have been from a visit to a steam rally and I figured I might as well pop those on the blog all at once rather than via my usual drip-feed approach, so those should be up here tomorrow.

In the meantime though, heres a picture of a big white house looking resplendent in the summer sunshine.

White house

Olympus 35 RC & Kodak Gold 200. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 20 June 2022

35mm · Film photography · Photography

House reflected (once more)

Today’s picture shows the same house I posted a photo of a few days ago. This shot was made on the same day, although mybe half-an-hour of so later. It was also shot with a different camera and film, and from a different vantage point – this one involved me venturing into the edge of the river (thankfully not deep or fast!) to get a composition I liked.

A little downstream from here is a small weir and I ventured down past it to try and get a picture of a bridge. The picture didn’t really work as the weir kinda seperated the foreground of the scene too much in the frame, but it did result in an amusing experience when a duck, just upstream of the weir, spotted me and swan towards me – perhaps expexting some food – and just nonchalantly paddled right over the edge and into the water below with a “plop”.

House reflected B&W

Olympus XA3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 30 April 2022

Film photography · Medium Format · Photography

A house in the country across time

I have a tendency to photograph the same things on multiple occasions, it seems. I suspect I’m not alone in this.

As photographers we can appreciate how a subject can change though time, whether that be over decades of weathering, decay, or environmental change, through the seasons of the year, the time of day, and even minute-by-minute, second-by-second as the light changes.

A house in the country
In May 2022

I’ve never purposely set out (so far, at least) to document such changes to a scene as part of a project, but I do find that things that catch my eye the first time I encounter them will often catch it again on further visits. Today’s post shares two shots of the same house, the photographs made about five and a half years apart on different cameras, different formats, different films, and in different conditions. The viewpoints are different in both, but the central subject remains the same. Maybe I’ll photograph it again on some future visit to this location.

FILM - A house in the country
Back in early 2017, shot with my Olympus 35RC on Ilford HP5+

(first picture) Fujica GW690 & Fujichrome Provia 400 (expired 2013). Lab developed.

Taken on 30 April 2022

Film photography · Medium Format · Photography

House (and lack of photography) reflected

We have a long weekend here in the UK thanks to the annual spring bank holiday being moved to Thursday (it’s usually on a Monday), plus the extra bank holiday we got yesterday to commemorate the Queen’s platinum jubilee. I’m not particularly fussed about the jubilee stuff but expected that I might use the extra time off work to get some photograpy done. As it stands though, I’ve been feeling pretty uninspired to go out (not helped by the dull weather that we currently have where I live), so have spent the last couple of days just loafing around the house watching TV (mostly Australian Survivor on Amazon Prime – I’m not a fan of reality shows at all, but really enjoy Survivor and The Amazing Race for some reason. It’s just a a shame we can’t see the US version by normal means here in the UK) and playing videogames.

I feel a little guilty for this, but sometimes it’s nice to just veg out and not put any pressure on yourself. I’ve still got enough new photos sat waiting to be published to keep the blog going for at least a couple of weeks of daily posts, plus plenty in the archive in the event I run out (which I don’t expect to), so that impetus is lessened for a while. I had planned on going out today if the sun had shown itself – I had an idea of an area I might photograph – but it will have to wait.

House reflected

Fujica GW690 & Kodak Ektachrome 100 EPP (expired 2003). Lab developed.

Taken on 30 April 2022

Film photography · Medium Format · Photography


I visited the village of Ashford-on-the-Water last month. It’s a quaint little place full of picturesque cottages, and old church, and attractive scenes where the River Wye flows through. This was the first time I’ve visited the place since a school trip back when I was probably about ten years old (on a residential week at the nearby Thornbridge Hall).

This house caught my attention with it’s maze-like pattern of miniature hedges in the front garden.

A-maze-ing garden

Yashicamat 124G & Fujifilm Pro 400H. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 19 April 2022

35mm · Film photography · Photography

Houses, roofs, benches and an urn

The coming days will see a series of photographs made with my recently acquired Olympus OM-1N (a replacement for my faulty OM-1. You can read about how I came about it here, should you wish).

Palmerston Road

The camera appeared to be in full working condition, but needed new light seals, so this was its first outing after I’d replaced those. As I didn’t want to chance a roll of something expensive on an untested camera, and as I have no cheap bought-for-£1 Agfa Vista Plus left, I used the cheapest, but fresh, stuff I had to hand – some Agfa APX 100. As far as I’m aware this is just re-branded Kentmere 100 these days (although I think it used to be re-branded Fomapan 100 previously). The last time I shot some of this I developed it with Ilfotec DD-X and got some quite overdeveloped negatives (probably my fault). This time I decided to use some Adox Adonal instead and got better results.


My old OM-1 had been converted to meter properly with a 1.5v cell, but this OM-1N still expects a 1.3v cell. I do have Wein cell that I could use but, again, as the camera was untested I didn’t want to crack open an expensive battery so I used a 1.4v zinc-air battery instead. I’m not sure how much this will have affected the metering but, on the whole, the shots came out quite well exposed with perhaps a little over-exposure present. The good news is that the camera worked perfectly.

Posted here today are three shots from the start of the roll. More to come this week.

Weston Park

Olympus OM-1N, Zuiko Auto-S 50mm f/1.8 & Agfa APX 100. Adox Adonal 1+25 6mins @ 20°.

Taken on 15 April 2022