Another digital shot today. As mentioned yesterday, I’ve been out all day today meeting up with some film photographer friends. We met up in the village of Castleton in the Derbyshire Peak District and spent the day wandering the village and surrounding area. We were all shooting film, but I also had my Ricoh GRII with me, and took the photo you see here today. The picture here today is of Cavedale, a gorge just to the south of the village. Up at the top on the left is the keep of Peveril Castle, which we climbed to earlier in the day.
I shot a roll of 120 Tri-X, plus most of a roll of 120 Fuji Pro 500H and 35mm Ilford HP5+. The HP5+ was shot using my new 28-300mm zoom lens, so it will be interesting to see how those turn out (and if I’ve managed to mess any of them up…). I’ll post any worth sharing once I have them developed and scanned.
Another handy digital post. I’ve been traveling for work today, so still haven’t had time to start my next “Walk With a Camera” post yet. Maybe tomorrow…
So here’s another shot from Malaga last year. I liked this scene because the three groups of people seemed almost in formation.
This picture was taken in Malaga last year. The place was heaving with crowds of people as the annual Feria de Malaga was taking place while we were there. Everyone was drinking Cartojal, a local sweet wine, and many of the women and girls were wearing flamenco dresses.
I have another of my “Walk With a Camera” posts coming soon, but I haven’t put virtual pen to ink yet, and I don’t plan on rushing it today. I’ve been out mist of the day, firstly seeing The Fall Guy at the cinema with my wife, and then’ when I got home, on a shortish walk to Rother Valley Country Park to test a new lens I’ve bought.
I’ve bought a Tamron 28-300mm zoom lens that will fit my Nikon F80. I think it will be a good choice for when I go on future hikes as it should give me a lot of versatility. The F80 can make use of the image stabilisation on the lens (although I’ve found, slightly annoyingly, that only with a half-press of the shutter, and not with my preferred back-button focusing method). This should prove useful when using the longer focal lengths.
A zoom like this is never going to beat a prime, but as it’ll be used with 35mm film – probably 400asa – then I’m hoping any noticeable shortcomings will be minimal. I only took two shots with it today – all that remained on the roll already in the camera – but they’re at 200mm and 300mm, so should give me some idea of what I can expect when zoomed in. I’ll try the wide angle end on the next roll. I’ll give my thoughts and post some pictures once I’ve gotten them developed and scanned.
Anyway, in lieu of a film photograph today, here’s a digital shot from my trip to Malaga last summer. It’s been hot and humid here in the UK today, so it brought back memories of Spain.
I got a new PC this week. It’s not brand new – it’s my son’s old PC – but it’s still vastly more powerful than my old machine. It has the luxury of a solid-state drive being installed meaning it boots up fast and the applications I use are similarly speedy to get going. I swapped out the secondary storage drive for a larger capacity model, so I now have a lot of room to add more pictures too.
It’s not all smooth sailing though. I have my files backed up via a cloud service and it’s taken days to download all the files back onto the new machine. I’ve also had headaches getting Lightroom to play nicely with the catalog I exported from the old machine and, while I have my scanning software installed, as well as Negative Lab Pro, I’m having problems getting Epson Scan to work. A lot of people don’t seem to like Epson Scan very much, but I’ve always found it very effective when scanning B&W medium and large format negatives, so I would like to get it working if possible. I can fall back on Vuescan (which I use for scanning colour negatives and slide film anyway) and do the inversions in Negative Lab Pro, which I’ve tried and had good results, but it means getting used to a different workflow. I’m not sure if I can scan multiple negatives in a batch with Vuescan either (although I haven’t looked into it properly yet).
Anyway, hopefully the storm-clouds of getting everything configured to my needs will soon thin and I can enjoy the benefits of a faster PC.
A rare foray into digital pictures for the blog today, with the shot below coming from my Ricoh GR III. These sorts of clouds are very rare hereabouts, so I had to grab a picture when I saw them. I thought we might be in for a huge storm, but they just drifted by without much fuss in the end.
I took a half day off work as I knew the weather was nice for once, and it was one of the only chances I had to try and photograph some autumn colour. So after lunch I headed out to Padley Gorge in the Peak District with the Chamonix large format camera and a bunch of film with the intent of shooting some of the Kodak Ektar that I have, and which I had four sheets loaded in film holders.
I found a nice scene with a backlit oak tree, so set everything up, carefully checked my focus and the camera settings and then took the shot. I then headed a little further down the gorge to try and find the next one. By this time, the light was low enough that a lot of the area was already in shadow, so I looked to photograph a clump of autumnal leaves on a sapling which were illuminated in a shaft of sunlight. It was a slightly tricky shot to focus, requiring some tilt to get everything sharp. After setting up the shot and feeling relatively confident about the sharpness, I went to meter the scene and then noticed with dismay that my meter was set to ISO400. This meant the first shot was two stops underexposed. This was very frustrating and, to be honest, set the ball rolling for the rest of the afternoon’s disappointment.
As I’d already wasted one expensive sheet of colour film I was now even more conscious of the need to not waste any of the remaining three sheets on sub-par images, especially given the fact I’d have to send them away for developing at notable cost, so I binned the shot of the leaves and decided to move elsewhere for something better. I was now in the wrong frame of mind though – everything I considered seemed like it wasn’t worth the effort (or cost) – and so I set up and then dismissed several shots while the sun sank lower in the sky. Eventually (and now in a pretty bad mood) I just said to myself “f**k it” and packed everything away and came home.
I was seething in the car all the way back because a) the weather and light was beautiful and I had been unable to take advantage of something I rarely get the chance to, and b) I wasted an afternoon’s off work for the privilege. I saw several beautifully lit scenes on the way home which, had I had a smaller format camera with me, I could have photographed, but I just had to drive past them all.
The weather looks good again tomorrow, and I’m going to have another attempt at capturing autumn colour, but I’ll be taking some medium format gear this time to make sure I actually capture something on film. I expect the same locations will be much busier tomorrow, unfortunately.
Anyone else have “one of those days”?
The pictures shared today are a few older digital shots from previous visits to the same area. You can see why I’m disappointed to come away empty handed….
It’s quite unusual for me to make photographs during golden hour. Most of the time I either need to get ready for work in the morning, or I’m too tired to bother with going out in the evening. So it’s only when I’m on a holiday or something that I tend to take advantage of the soft, warm light it presents.
My wife and I had been out for something to eat in one of the harbour-side restaurants, and the sun was setting when we finished our meal, so I managed to get a few pictures. I also took a digital shot of this same scene which, if I’m honest, I prefer to the film version (traitor!). You can see this at the bottom of the post.
Nikon F80, Nikkor 28-80mm f.3.5-5.6 AF-D & Kodak Colorplus . Lab developed. Home scanned and converted with Negative Lab Pro
Here’s the digital version, shot with my Ricoh GR III.
I’ve been busy with stuff today and have left it quite late to post to the blog (it’s one of those days where the daily posting feels like a grind, unfortunately). As such, I’m taking the easy route and posting a digital picture, one shot in the early evening sun one day during our trip to Malaga in August.
I returned from a long weekend in Spain yesterday, an anniversary trip to Malaga with my wife.
The trip was nice, although the weather was very hot and, on the last couple of days, humid too! I guess this is what we get for having gotten married in August and then expecting to take an anniversary trip to a warm county to coincide with the same time of year…
We enjoyed ourselves though, ate a lot of nice food, and took plenty of (somewhat hot and sticky) walks. Malaga was very busy while we were there as it was the final two days of the Feira de Malaga – an annual festival where there is lots of live music, entertainment, and thousands of people walking around the streets drinking Cartojal, a sweet wine from the region.
There will be lots of pictures to come from the trip – I’ve just sent off four full rolls of 35mm to be developed today, so that will be a lot of images to choose from!
I also shot quite a lot of digital pictures while there and thought I’d post a few of those today.
This post is all aerial shots taken from the plane on the way to Malage, and on the journey home to the UK. They are not likely to win any prizes, but though they might be ineteresting to post and have a bit of a theme to them.
A bit of detective work on Google maps has allowed me to identify the locations of the pictures, although some were obvious anyway and I knew what they were as we flew past. There are not may pictures from the outbound journey as the weather was pretty cloudy, so just the first three shots are from that flight.
So, something a little different today. I hope you’ve enjoyed the virtual travellogue. 🙂
Ricoh GR III
Taken on 18 August 2023 (first three images) and 22 August 2023