I quite like this shot. A little slice of life on a gloomy seaside day.
Nikon F70, Nikkor 50mm f.1,8 AF-D & Kodak Colorplus 200.
Taken on 29 August 2017
Following on from the last post, here are the remainder of the shots taken on Saturday 27 May.
Shortly after I finished taking the photos in part one, and after walking up towards the West Street / Glossop Road area, the sun decided to re-emerge and bathed everything in bright, and pretty humid, conditions.
I’d intended to got to the pedestrianised area between the old Henderson’s Relish building and the new university buildings that stand in the spot where the old Jessop’s maternity hospital once stood. The area is in the process of gentrification at the hands of the university and is none the worse for it. As much as I like to see old architecture remaining in place, the new buildings either incorporate the old, listed, architecture, or are modern in a pleasing way that makes for interesting photographs. The university bioincubator facility has a little sculpture / garden thingy in between the buildings that was catching the light nicely too.
Rather than describe each shot, I’ll drop a selection below. As with the previous post, these are a mixture of Yashica Mat 124 G / Kodak Ektar & Olympus 35 RC / Kodak Colorplus photographs.
After this batch of shots, I started to walk back towards town down the back streets that run parallel to the main West Street drag. The remnants of the rain made for a nice reflection of a green doorway in the side of St. George’s lecture theatre (a deconsecrated church). I took two shots of this, one with the last frame of Ektar in the Yashica Mat, the other with the 35 RC.
The rest of the day’s shots were with the 35 RC, and I’m pretty happy with a number of them, especially the last two of the set below (the guy walking past the university building and the “No Entry” road marking).
The final shot below, is of the Q-Park car park building off Rockingham Street. Sheffield has its fair share of mid 20th century brutalist design car-parks, as do most towns and cities in the country, but recently seems to have acquired several of far more interesting design, such as this one.
Probably back to black and white stuff for the next post.
I went up town last Saturday with the primary intention of taking some photographs (although I did have a secondary mission to pay the deposit for a restaurant booking that my wife had made). The weather was bright and warm, with some fluffs of cumulus (and some bigger wodges of cloud on the horizon) littering the sky. This was not to last.
Despite the conditions remaining the same during the twenty minutes of so it takes to drive into the town centre, literally as soon as I got out of the car, one of the aforementioned “wodges” of cloud was threatening the day with its massive dark bulk. The weather forecast app on my phone said not a word about rain though, so I fed the parking meter and set off to get some pictures.
The weather forecast app tells lies.
I got the following shot of an old cutlery works entrance.
Then I followed the street leading to the back. There I started to line up another shot when I felt a few spots of rain – not heavy at this stage, but enough to potentially get on the lens and spoil the picture (indeed, a single fat droplet fell right into the open top of the Yashica Mat leaving a wet splash on the focusing screen). The only available shelter was a small doorway that was presumably a point of egress from a fire escape or something. It was approximately 18 inched deep, so enough to provide adequate shelter, but with the downside of having a noticeable air of urine odour to put up with. Still, beggars can’t be choosers, and literally seconds after stepping into the doorway, the heavens opened and rain began to pour down as though someone had turned on am enormous shower in the sky. The heavy rain lasted maybe five minutes, but then took another ten to abate completely, so I remained in my shelter for quite a while. During this time I took the following shot. It’s a little out of focus, but it’s not a great shot anyway, but is included here as a memory of the moment nonetheless.
The next shot was taken from right outside my sheltering spot )it is directly to the right of where I took this photo).
It’s interesting to see how the tarmac has worn from the streets in this area, revealing the original cobbled surface beneath. As well as the Yashica Mat, I also had my Olympus 35 RC with me, still loaded with the remaining frames of the roll of Kodak Colorplus I’d been shooting previously, and it was with this that I got the shot below (my sheltering place can be seen at the bottom left of the frame).
Further along this same street, I took the next shot of some graffiti. The shot is quite nice (if you like this sort of thing) with lots of texture and detail. The small red shape that can be seen at the bottom of the boarded-up window is actually a small door that has been affixed and is labeled “The home of Abdul the world’s smallest muslim”. Whether Abdul is a fictional character in the mind of the artist who added the doorway, or represents a real person (though presumably not small enough to fit through this small doorway!), I know not, but it adds some additional interest to the shot.
A couple more street shots from the same area are next, one from the Yashica Mat, the other form the 35 RC. There’s a slight John Bulmer-ish feel to the second shot in terms of the colour and conditions that I like.
It’s interesting to think that, although relatively lightly traversed nowadays, that these streets would have been hives of activity at one time, with many hundreds of people employed in the area.
The last shot of this batch is taken again with the 35 RC, although I did a black and white conversion on the Colorplus as I liked the result better than the original colour image.
The weather was to brighten up again shortly after taking this last shot, and I’ll document the remaining pictures in the next post.
I mentioned in the last post that I’d also had my Olympus 35 RC with me on the trip to Barnsley and Elesecar Heritage Centre. Most of the roll it contained was shot subsequent to that day and will probably form the basis for another post soon, but here are some shots from that same trip (plus a few bonus extra pictures that were not).
I like the 35 RC, it’s capable of some nice results and has the great bonus of being absolutely tiny. This means it’s easy to take on trips and also means I can usually get an extra shot or two out of a roll (although I only managed 36 from this 36 exposure roll this time). The film used was Kodak Colorplus 200, Kodak’s budget offering. I’d not used this before but liked the look of the film in other people’s shots (where it had a slightly vintage, 1970s look to it, I thought) and I have to say I’m pretty happy with the results. I like the look of the film and it seems to have less noticeable grain than the other low-cost film I often use – Agfa Vista Plus 200. On the downside, it was an absolute pain in the backside to scan, with the entire roll having a defined bow along the length, and necessitated me scanning just one strip at a time, and then only two or three frames at once as I had to use some pieced of card to flatten the negatives in the holder. In the end I estimate it took at least four times longer to scan than other 35mm films I’ve used. And I still have a couple of rolls left – good job I do like the look then, eh?
The first set was taken in Barnsley in the car park where I’d left my car before attending the photo exhibition, and as I was saving the remaining frames of Ektar that were in my Yashica Mat for Elsecar, I fired off a number of snaps with the Olympus. There’s a bit of lens flare on the second shot, which is a shame, as I like it otherwise, but the third shot with the red fire sticker is may fave of these three.
The next small batch are from Elsecar Heritage Centre. I took a shot of the same phone box with my Yashica MAt 124 G and there’s a clear difference in tones between the Colorplus shot below, and the medium format Ektar image, with the Ektar practically vomiting saturated colours from the frame! However, of these three, the window with the teddy bear is, I think, the best.
And finally, a few bonus shots. The first two pictures (of the cactuses and camper-van planters) were taken at Wentworth garden centre a couple of days before my trip to Barnsley, while the rhododendron is in my back garden.
So, there you have it. It was nice to use the 35 RC again, and the results from the Colorplus were pleasing. I’ve another batch (taken elsewhere) to post about soon, so keep your eyes peeled!