Another of my converted Kodak Gold shots. I almost left this one as colour, but I think the black and white version is better. The colours were pretty muted in any case.
Today was the thing at work that I mentioned a couple of days back – the thing that was causing me stress even though I suspected I was worrying for nothing. And I was right. Everything went absolutely fine. So I’ve spent a few days spending way too much time being concerned about something I needn’t have. Now I need to catch up on the other stuff I didn’t do because I was focused on this. Oh to be me…
Fujica GW690& Kodak Gold (converted to B&W in Lightroom).
Here’s another photo of a bridge crossing the River Moss (as I mentioned the other day). I took this photo just after my wallaby / kangaroo encounter (see here if you want to find out about that) and regaled a couple of other people with the tale of my unexpected encounter.
I had pretty high hopes for this photograph. I’d switched from black and white film to some Kodak Gold by this time and, while the light was dim due to the fog and the tree cover, the camera was tripod mounted and the composition was nice.
Sadly this roll of film is one that Negative Lab Pro (or perhaps me, as the user) struggled with – usually Negative Lab Pro works a treat, and I’ve had no issue with it converting Gold in the past. It could be the fact that I’m scanning on a V700 rather than a V550, but I’m not really sure. A couple of the colour images look ok, but many of them had a nasty green and purple cast to them that I was unable to remove. In the end I decided to cut my losses and convert them to black and white using Lightroom. Happily all the shots I converted suit the monochrome treatment pretty well.
I still have the un-converted RAW DNG scans so I may yet re-visit them to see if I have more luck with a further attempt but, for now at least, some of this roll will be sans colour.
Fujica GW690& Kodak Gold (converted to B&W in Lightroom).
It’s one of those days today where I don’t know what to write on the blog (although here I am, writing stuff about not knowing what to write…). Today I think it’s because I’ve got something preying on my mind at work. Nothing terrible, just something I need to do this week that I’m not sure I’m fully prepared for. Usually, it comes to pass that I’m stressing out about nothing and everything will go just fine, but that doesn’t stop my brain flipping into anxiety mode. The fact that I’m focusing on this one thing also means I’m not spending time on a bunch of other things I need to be doing, leading to a cumulative worry about, well, more stuff.
It also doesn’t help that I tend to procrastinate. And while I always pull things together in the end, there’s always the worry that one day I might not be able to. I seem find myself increasingly easily distracted from things I ought to be concentrating on in recent years, to the extent that I wouldn’t be at all surprised to find out I have ADD (but that’s another story). I guess that tomorrow I need to just pull myself together, give myself a virtual slap across the cheeks to wake myself up, and just get on with what I need to do. In a couple of days the thing will have passed and I can get back to normal (i.e. worrying about the next thing…).
So, look at that – I’ve written more than I do on many other days. Good ol’ productive stress, eh?
Here’s a picture of a foggy scene. This is probably not disimillar to what it looks like inside my head right now. 🙂
This is the first of two photographs of bridges crossing the River Moss That I’ll publish – the second will be here in a couple of days.
I managed to get out and shoot a few rolls of film today, 36 exposures on some Superia Xtra 400, and a couple of rolls of 120 through my Bronica ETRSi (one HP5+, one Fuji Pro 400H). It’s the first time in ages I’ve shot so prolifically, and should mean that the wolves can be kept from the door for a while in terms of me having new photos for the blog. I’ll get the two rolls of C41 sent off for developing tomorrow and will maybe dev the HP5+ one lunchtime this week if I get the chance. I’ve got about a half-dozen more pictures from the GW690 to keep things ticking over until then though.
I think the left side of this picture is a little messy, but there was unfortunately no way to get around it short of cropping. The GW690 has a fixed focal length and, while using my legs to zoom is often a viable technique, in this case I was hemmed in by trees at either side, and in front of my feet the ground dropped into marshy wetness where the rushes are growing and I didn’t fancy a boot full of freezing mud.
Nonetheless, the foggy morning does a lot of lifting and makes the shot quite pleasing, I think, particularly the contrast of the heads of the rushes against the faded backdrop.
This ruined structure sits beside the River Moss in Eckington near Sheffield. The main flow of the river runs to the right of the scene in the picture but there’s also a separate stream that runs behind the building which leads me to think it was a water mill of some kind. The building is depicted on Ordnance Survey maps but not named. There are the remains of mineworking in the area, with a pumphouse (named the Seldom Seen Pumphouse) a little further up the valley, so it’s possible that this building may have formed part of those activities.
Down at the bottom end of Woodhouse Washlands there is an oxbow lake. It’s actually not much of a “bow”, more a strip of water which lies maybe fift to a hundred or so metres from the current course of the River Rother.
A tree stands at the edge of the water – a willow, I think – and is the subject of today’s photograph. The fog masks so much in this scene which, in clear conditions, would reveal houses and other structures on the valley side in the distance beyond the tree. Thank you fog.
It’s been a while since I posted a power-lines picture I think, so let me rectify that. If you’ve read this blog for a while you’ll perhaps realise that I find pylons and power lines an appealing choice of subject matter. Not to the extent that I go looking for them purposefully, but they often draw my eye. This pylon, stood like some metallic sentinel on the foggy and frosty Woodhouse Washlands certainly caught my attention.
I took myself off for a trip to the seaside today. I don’t often tend to go there on cold January days, but I figured that a change of scene would get my creative juices flowing (plus I could eat some fish and chips while looking out at the sea…). The day was sunny and bright, but bittely cold with chill winds – the remnants of storm Malik that was now headed east out to sea – so a hat, gloves and a fully zipped up jacket were a definite necessity. I’m feeling tired now, and ready to hit the shower when I finish typing this, but my belly is full of my fish and chip dinner, and I have two rolls of 35mm film to be developed, so the day counts as a success. The pictures will turn up here in a bit, although I’ve got two other rolls of stuff to root through before that happens. It’s nice to be back in the black again, photographically speaking.
I’ve spent this afternoon developing a roll of Ilford FP4+ that I shot last weekend, and also scanning a roll of Fujichrome Provia 100 that I also shot suring the same session (but which I had developed by my local lab as I don’t have the gear for developing E6). I’m pretty happy with the Provia scans, and they’ll start to appear on here after the weekend. The FP4+ negatives look nice too, although I can never truly tell until the scan appears before my eyes.
Today’s photo is another from the foggy morning’s walk a few weeks ago and was shot beneath the viaduct that featured on the blog a couple of days ago.
This pollarded tree has featured on the blog at least once before (and probably more times, but this is the only one that my quick search pulled up). It’s usually difficult tophotograph in isolation due to all the surrounding elements. There are other trees close by that can creep into the shot and cause background distraction, there are power lines and pylons in the area, a concrete viaduct spanning the valley, and older brick railway viaduct, plus a whole bunch of industrial units on the valley side. It’s still possible to get interesting pictures, but you generally have to work the other elements into the shot.
On foggy days though most of these things fade away. There’s sight of some of the other trees in this shot, plus the vague lines and shapes of the power lines and some factory buildings, but the fog serves to mostly obscure them.
I shot this roll of HP5+ at 1600asa and pushed it in development as the light was very dim. There is added grain in the resulting images and perhaps a little more contrast, but I think they serve to add some grit to the pictures.