Film photography · Medium Format · Photography

Tail lights

Today’s photo is another of those that I really like without really being able to say why – although I think it’s probably the swipe of the red tail-lights across the scene on a jaunty diagonal. The red contrasts nicely with the overall blue tint that the photo has.

Passing by

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Cinestill 800T. Grain2Pixel conversion.

Taken on 11 December 2020

Film photography · Medium Format · Photography

Popping my Cinestill 800T cherry

I think there’s some sort of law that says you must make a photograph of a petrol station* at night when you shoot some Cinestill 800T. Anyway, here’s mine out of the way. I don’t think it’s the best example by a very long chalk, but I can cross it off the list**. Bonus points for the fog.

Fog and fuel

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Cinestill 800T. Grain2Pixel conversion.

Taken on 11 December 2020

*”gas station” for my friends across the pond.
**I don’t have a list.

35mm · Film photography · Photography

Across from the misty path

One of the photos I posted yesterday showed a footpath between trees. This path is at the edge of the River Rother. Glancing to the right from that location presents the scene shown in today’s image. The dead trees on the far bank make striking shapes, but I’m not sure if there’s a way to get closer to them or not.

Those dead trees beyond

Fuji DL-270 Zoom Super & Kodak Colorplus. Grain2Pixel conversion.

Taken on 7 November 2020

35mm · Film photography · Photography

More woodland mist

These shots were take on the same day as the ones made with the Bronica which I posted about here. These were a bit of an afterthought really – I had the Fuji in my coat pocket and decided to make a few photos. I wasn’t really expecting much for a number of reasons: I had no idea of the provenance of the film; the camera had not been tested by myself; and because the lens is somewhat slow (starting at f/5.6 at the wide end I think), so I doubted I’d have much joy on a dimly lit morning with 200asa film. As it happened, they turned out very well. They maybe don’t stand up to close , pixel-peepy, scrutiny, but otherwise they are nice pictures. The colours from this roll, as I think I mentioned yesterday, are really nice.

Broken trunk
Beside the river

Fuji DL-270 Zoom Super & Kodak Colorplus. Grain2Pixel conversion.

Taken on 7 November 2020

Film photography · Medium Format · Photography

Beighton Signalbox (while it’s still here)

This is the signal box at Beighton Station, not far from where I live. Although it’s named Beighton Station, no station has been present since the 1950s when passenger services ceased. There have been recent rumblings about building a new terminal suitable for tram-train services however.

The signal-box is currently scheduled for demolition in 2021, much to the displeasure of locals who see it as a landmark, and there are campaigns looking to try and save it.

Beighton signalbox
Beighton signalbox-2
Beighton signalbox-3

More photos of the signal box can be found in my blog posts here, here, here, and here.

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Fujifilm Superia 100 (expired 2008).

Taken on 8 November 2020

Film photography · Medium Format · Photography

Endless fence

I hope nobody is getting bored of mist yet? There are still more to come – some of them in colour! 🙂

I think the lone tussock of grass in this helps the shot a lot. It would still have had a pleasant abstract nature without, but it being there in the foreground anchors the image.

Apologies for the somewhat short posts this week. I’ve had some other things to keep me occupied so not enough time unfortunately.

Onwards

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Ilford HP5+ (@1600). Ilfotec DD-X 1+4 13mins @ 20°.

Taken on 7 November 2020

Film photography · Medium Format · Photography

In the misty wood

I’ve undoubtedly said this before on here somewhere, but I’ll say it again: Fog and mist are a gift to photography. The diffused light; the sense of calm; the way they hide and obscure distracting detail; and – most of all – the sheer atmosphere (quite literally) that they bring to bear is a wonderful thing to behold.

I do admit to saying this as someone for whom fog and mist are relatively uncommon – at least at the times I’m usually out of bed! I can fully understand the “grass is always greener” sentiment that this bears, and that for those who live in places with regular foggy conditions that this might all be a bit business-as-usual. But for me, well, I love these conditions.

Misty woods #1

So, when I saw the weather forecast showing this day as having fog, I was up early and out with my camera. I went somewhere I’ve been a number of times before – a walk that takes me across the River Rother, through a copse of trees (it’s probably a plantation as the tress – Poplars I think – are in somewhat orderly rows), and then either up to the Trans-Pennine Trail, or looping alongside the river, then down to Renishaw golf-course, and back around to the starting point.

Misty woods #2

I’ve photographed these trees on a number of occasions and know that the look their best in a veil of mist. It’s not a large area and on clear days it’s easy to find a distracting background element creeping into the frame. In fog, however, the trees feel like they go on forever.

Misty woods #3

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Ilford HP5+ (@1600). Ilfotec DD-X 1+4 13mins @ 20°.

Taken on 7 November 2020

35mm · Film photography · Photography

Misty on the wetlands

A couple of photographs serving as a direct follow on from yesterday’s pictures of the flyover – the first taken when I was stood almost beneath it, the second featuring it as a subject.

The misty morning

I wasn’t sure the second would work as it was shot with the sun directly in frame. While there’s a little flaring, the Telemax’s lens has coped admirably though.

Into the sun

Canon Sure Shot Telemax & Kodak Gold 200. Grain2Pixel conversion.

Taken on 29 September 2020

35mm · Film photography · Photography

The gates where the cows get in

These gates sit at the north-western end of this field where the path leads beneath the arches of the railway viaduct. It allows passage for the herd of cows who roam the fields on either side of the railway line. It also allows passage for walkers.

On this morning the gate was lit by the low, rising sun that was burning through the ground mist. It makes for a semi-rural scene, but the area is surrounded on all sides by human activity, whether the houses and businesses on the hillside to the east, the river and remains of the old marshalling yars to the west, and the flyover to the south, just about visible through the gap in the gates. I don’t mind any of this, plus great light makes the opportunity for good photography regardless of location.

Gates

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020