Photography · Film photography · Medium Format

Velvia flyover

Back when I got my GW690 it arrived with a roll of Velvia 50 already loaded with a single frame shot by the previous owner. Keen to try out my new camera I hurried out on the first opportunity and shot the remaining seven shots on the roll. They were all disappointing.

Velvia is a beautiful film, but you need to treat it properly. Rushing about on a slightly overcast winter day is not the best way to get quality results. It showed, and I wasn’t happy with what I had made. My next few rolls through the camera were black and white, I took greater care with what I was doing, and the camera started to show me what it was capable of.

The disappointing Velvia photos went in my negatives (or in this case, positives!) binder to be quietly forgotten.

Yesterday, because I’ve just bought some more expired Velvia (and Sensia) reversal film, I was looking through my older E6 images and came across the GW690 set. While I still think most of them are disappointing, one of them looked like it might have some potential, so I decided to see if I could breathe some life into it, and the result is presented here today.

It’s not the best photo, but it has a nice early winter morning feel about it and I like the light on the grass and the hazy sky. I’m not one-hundred percent sure about the yellow sunlight on the bridge supports, but it was catching a warm early morning glow so perhaps they’re not too far off the mark. Anyway, here it is for you to make up your own minds. Was it worth the effort do you think?

Don’t rush with slide film
Treat it with care or you’ll risk
Fujichrome failure

Morning light flyover

Fujica GW690 & Fujichrome Velvia 50.

Taken on 1 December 2020

Film photography · Medium Format · Photography

A bit more autumn

Just a few days ago I said that I was at the end of my autumn colour images for this year. Well. turns out I’m not – I forgot about this roll of Velvia 50 that I shot on a walk along the Chesterfield Canal near Thorpe Salvin a few weeks ago.

Leafy canal mooring

The roll was tricky to meter with confidence. Given that I don’t have a spot meter (just a reflective setting that’s has a pretty wide angle and no meand to accurately point it) I almost always use incident readings instead. Incident metering usually serves me very well, but a canal withich has irregular tree cover along it’s banks makes it difficult to match the light falling on the meter with the subject unless it’s pretty close by, or you’re sure it’s in the same levels of light.

Wilderness autumn

As a result, quite a few of the images on this roll are poorly exposed, and the ones here are probably the best from the canal-side walk.

Chesterfield Canal

Of the four, the sycamore leaf below is the best I think (even if it did keep attempting to blow away in the light but irregular breeze!).

Sycamore leaf

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujichrome Velvia 50.

Taken on 24 October 2020

35mm · Film photography · Photography

A smattering of Ektachrome

A bit of a mini image dump of Ektachrome images today, mostly because I’ll get onto something else from tomorrow.

There’s not really any theme to them other than they were all shot in Bakewell. I liked them enough to upload to Flickr, but I’m not sure any of them really elevate above average. Perhaps I should seek a job in the art promotion scene, eh? 🙂

In a garden
Roses
Memorial
Bakewell remembers
Two black and white doors

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

Finding light in a dark place

The title of today’s post isn’t intended as a metaphor for the subject of the photograph, although I suppose it could be. It refers instead to the fact that I was in a cathedral with only a film camera containing 100asa slide film. While I had a nice, fast, f/1.8 lens attached, there were very few places within the building that gave enough light for even a slow exposure. This table of prayer candles was lit by a bright shaft of sunlight however and I took the chance at handholding the camera at 1/30sec. Somehow I managed to avod camera shake and ended up with a nice looking photograph.

Prayer candles

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

Another pillar box

A few weeks ago I posted a couple of photos of pillar boxes (or post boxes if you prefer) that I shot on some Fuji Velvia 100 and which exhibited vividly saturated reds. Today I have a photo of a different pillar box, this one dating from the reign of Queen Victoria – hence the VR insignia on the front. A quick bit of Google research points to this being a VR Penfold model.

Once again, the slide film has delivered vivid reds. While I’ve tweaked the contrast a little which might account for some of the rich colour, I’ve not touched the saturation of vibrancy controls at all. It looks pretty much like this on the original transparency too.

Pillar box

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

Crucible & Covid-19

One of two theatres adjacent to one another in Sheffield city centre, the Crucible is the younger of the pair, dating from 1971 (the other, The Lyceum, dates back to the late 19th century). It’s probably most famous for being the host venue for the World Snooker Championship since 1977.

Passing the Crucible

As I write this today, Sheffield (and the rest of South Yorkshire) has been put on notice that we will be moving to the Tier 3 “Very High” level for Covid-19 restrictions at the weekend. While, for the most part, these won’t make much of a difference to what I do (it’s nothing like as restrictive as the full lockdown we had earlier in the year), it does place a restriction on mixing with people outside your immediate family or support-bubble, so it’ll mean I can’t see my dad for the next few weeks (assuming it’s lifted by then).

It also means that I’m not supposed to travel from the Tier 3 area to areas at a lower level of alert. This is disappointing as I have a week’s leave coming up and had planned to make a visit or two to the Peak District National Park. While I can still access part of the park (some of it falls within Sheffield, and South Yorkshire’s borders), it’s a relatively limited area and doesn’t include the places I’d hoped to go to. As I would be travelling in a private vehicle and not interacting with anyone, I’m not sure that there’s a problem or that I would be risking any sort of trouble, but I guess I’ll see what happens before making a decision one way or the other. If not, there are plenty of other places within South Yorkshire that I can visit, and not just the bits within the Peak District. I have a project that I came up with the idea for over a year ago, so maybe I can make a start on making the pictures for that.

Crucible theatre

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

A big metal fish at the railway station

This wonderful sculpture was sat outside Midland Station in Sheffield when I walked past a few weeks ago. The day was bright with autumn sunshine and the metal body of the fish caught the light nicely on its scales. The OM-2n metered the scene with aplomb, the Zuiko glass resolved sharp images, and the expired Ektachrome gave a gorgeous look (although I have removed a purple cast that was lurking in the shadows).

Fish
Closer fish

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

More expired slide film: Ektachrome 100 EPP

Back in July I bought several rolls of expired slide film from someone on a forum I frequent. They consisted of Kodak Ektachrome 100 EPP, and Kodak Elite Chrome in 100asa and 200asa variants. The seller was unsure of the age of the film and stated it had just been kept in a box in the house, so no refrigeration. Despite this, having had some results from expired E6 film that I’d been happy with, I went ahead and bought some.

Flatbed

About a month ago I shot one of the rolls of Ektachrome 100 EPP from the batch. I have no idea how old it is as it wasn’t boxed, just stored in it’s plastic container (with a Kodak label on the top). The Elite Chrome is boxed and (IIRC) expired around 2010, but I’ve not idea if the Ektachrome is similarly dated.

Glossops Trophies & Engraving

Anyway, I decided to shoot the first roll at box speed as a bit of a test – still aiming to make appealing photographs, but just shooting at easy to visit locations. This way I’d have an idea of how the film has stood the test of time and also whether I need to overexpose it or not on future rolls. The results are, on the whole, very nice. There was a bit of a purple / magenta cast to the results, but I’ve been able to remove that using Photoshop. In terms of exposure, I think it needs a little more light – the shadows are a little dark on some frames, especially some that were shot on an overcast day – so I think I’ll shoot the next roll at 80asa to see if that works better.

There’s something very special about E6 colour film though – the bright, vivid look of the colours isn’t something that tends to be matched by negative film. It’s just a pity it’s such a harsh mistress (and so expensive!)…

The three frames posted here today are just the ones I’ve uploaded to Flickr so far, so there will be a bunch more in the coming days.

Purple curtains

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 / Zuiko Auto-T 135mm f/3.5 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

Film photography · Medium Format · Photography

A further expired Ektachrome 100 EPN photo

A short post today, just another picture from the roll of expired Ektachrome 100 EPN I shot recently.

There were going to be three images shown, but WordPress has decided that, no matter what I do, it will only show one of them as a link rather than a picture. There’s probably a solution – like using the old editor or something – but I don’t have the time this evening.

Somewhere they'll catch the sun

Yashica Mat 124G & Kodak Ektachrome 100 EPN (expired 2008).

Taken on 14 September 2020