Film photography · Medium Format · Photography

Daisies?

I made a few photos of these flowers. They were beside the footpath I took on a walk a few of weeks ago – this one with the Holga, and a few others with my F80 and a macro lens. I’ve yet to have the F80 shots developed as I still have a couple of frames left on that roll, but I suspect they’ll look quite different to this Holga photograph which has given me a somewhat unexpected, but nontheless pleasant, low-key result.

Although I’ve titled the post (and photograph) “Daisies”, I’m not actually sure if that’s what they are. While the look of the flowers is the same, and the colours match, these are far larger than the daisies that sprout in our garden if I’ve not mowed the grass in a while. I’m sure they must be some relation though. Great Auntie Daisy perhaps? 🙂

Daisies

Holga 120N & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24°.

Taken on 31 May 2020

Film photography · Medium Format · Photography

A southerly view of a hidden bridge

On Saturday I wrote a little about how there seems to be some sort of landscaping work taking place in the trees and scrubland close to the Trans-Pennine Trail. One of the things that seems to be a part of this is the clearing of undergrowth from an old brick-built bridge. Until a few weeks ago, and despite my having walked past not fifty yards form where it stands, I had been completely unaware of its existence.

Well, I say completely, but there was a clue to it’s existence – a ridge of earth mostly covered with large shrubs and small trees was visible from the nearby footpath. I’d noticed this before and on one occasion even battled part way through a field full of brambles to try and see if it was an overgrown spur of the path or something. However, after getting scratched by the undergrowth, I retreated, the mystery unresolved.

Now, however, a freshly raised fence has become visible, so I decided to take another look. I was pleasantly surprised when I founf the aforementioned bridge. The bridge has a fair bit of graffiti applied, and there’s a significant number of beer cans beneath the central arch, so I’m obviously not the first to come across it (and I doubt the people who erected the fence were the ones to have thrown all the beer cans under there – the fence is way too straight for that! :)).

The bridge is almost certainly a remnant of the coal mining activities that once covered this area, and it would be interesting to dig out an old map of the area to see how he lay of the land was presented in the past. For now though, here’s a view of the bridge looking from the south-west.

Remnants

Holga 120N & Ilford HP5+ – Ilfotec DD-X 1+4 9mins

Taken on 9 April 2020

Film photography · Medium Format · Photography

Weekend stuff

Today has been a somwhat uneventful day. I haven’t left the house, and the only photography-related activity has been reading my Portraits of America book, reading some blogs, and loading a roll of Fomapan 100 into my Bronica ETRSi (but not, so far at least, making any photographs with it). I did also upload a couple more shots to Flickr from the roll of Hp5+ I developed on Friday, one of which you can see in this post.

Yesterday, while not exactly exciting, was more eventful. My wife needed to pick up some things from the hospital and, as she was unsure if she’d be able to find a parking space outside the ward (and would otherwise have a lengthy walk), asked if I would drive her there. This was a reason for me to both drive the car – something I’ve barely done in over a month – and also, because we took our small car (which has been sat on the drive for weeks), give it a run to get some charge in the battery and get some movement in it’s parts. While hardly the trip of a lifetime, it was nice to be able to venture further from home for once.

Then, yesterday afternoon, I decided to combine a walk with picking up some things my wife had been been unable to buy during the weekly supermarket shop. I decided to get some decent exercise by taking a circuitous route around the area, looping around to the shopping centre, and then back home. At around 3.5 miles it wasn’t a really long walk, but I kept up a brisk pace throughout and got some good fresh air and exercise.

I also had the Sure Shot Telemax in my cargo-pants’ pocket, and managed to finish the roll of Delta 400 that it contained. Just a few snapshots as I walked, but maybe something worth a second look when I get around to developing them. The roll ended rather abruptly at frame #32 because I think the camera’s frame-counter has developed a fault – it sometimes jumps back to a lower number, or (in this case) miscounts how may shots have been taken. It’s done it before, but I don’t think it’s actually lost any images, still producing the expected 36 or 37 photos.

Today’s photo has both railway lines and power lines, and is the sort of composition that the Holga seems to eat up for lunch.

Lines

Holga 120N & Ilford HP5+ – Ilfotec DD-X 1+4 9mins

Taken on 9 April 2020

Film photography · Medium Format · Photography

The incinerator across the marsh

One of the routes I sometimes take while out for a walk takes me past an incineration plant. This was built recently and is an EfW (Energy from Waste) facility which produces electricity from the burning on non-hazardous waste. I recall there was considerable uproar when the plant was first proposed – one of the concerns being that nearby residents would suffer from the smell of burning. As it stands, I can’t say that I’ve ever noticed any odours from its operation (although the usual prevailing winds probably blow it away from where we live most of the time anyway).

Across the marsh

It makes for quite an imposing structure, both from the road that runs beside it, and from the marshy area of land that lies across the road to the east. I’ve walked through (or rather around) this area on many occasions as there is a public footpath that skirts the edge. However, on a recent walk, I noticed that there has been some significant work done – both here, and also in the woodland around the nearby Trans-Pennine Trail. There has been some tree felling, but the most noticeable change is the appearance of what seem to be a number of small ponds.

The marshy area used to be a large, open reed bed, but now has a number of more clearly defined ponds with footpaths snaking amongst them. My assumption is that this is some sort of improvement programme intended to aid wildlife and also make for more pleasant and interesting walking activities. I’ve not seen anything official to back up this theory though.

Today’s photos show both the marshy area and the looming incinerator and are from the first roll of 120 film I’ve home developed. I’m pretty pleased with the results.

A new path through new ponds

Holga 120N & Ilford HP5+ – Ilfotec DD-X 1+4 9mins

Taken on 9 April 2020

Film photography · Medium Format · Photography

Beighton Station

Today’s photograph is of the signalbox that sits beside the railway crossing in Beighton village. The box still holds the title of Beighton Station, although the station was closed back in 1954 and the Great Central Railway signalbox and crossing are now all that remain. The station opened back in 1893 and originall formed part of the Manchester, Sheffield and Lincolnshire Railway. The line is still in regular use.

Being not too far from home, I’ve photographed this scene on a number of occasions, and it featured in the blog before back in 2017 in the post “Twelve frames an hour“.

Someone commented that the signalbox really “pops” in the frame in this shot, and that it reminded them of an old box camera, meniscus lens image. This is fitting, given the Holga also sports a simple meniscus lens. The vignetting and soft edge-focus of the Holga gives an effect not totally dissimilar to the shallow depth of field that might be generated bys a wide aperture on a larger format camera.

Beighton Station

Holga 120N & Ilford FP4+.

Taken on 10 March 2020

Film photography · Medium Format · Photography

FP4Party

I have three entries for this year’s FP4Party. All taken with my Holga 120N.

I didn’t hold a lot of hope for the roll I shot – I felt I was shooting stuff for the sake of it, so was very pleased to find I was very happy with some of the photographs. All three here were taken around the house while trying to finish off the roll – ostensibly the previous week should have been “shoot” week, and I did make some pictures on this same roll then, but work and the weather prevailed so I had the defer some of the shots – happily, I got some nice light on the day in question, even if I didn’t step foot out of the house.

I like the low key look I got, and the Holga, with it’s single-speed shutter and very limited aperture control, has once again delivered in spades.

Of the three, I like the first best. The second is nice, but I’m not sure about the composition – I think I should have moved the vase to the left or right to avoid it blocking the lamp standard. The third is nice too.

Bathroom mirror

Living spaces

Her touch

Holga 120N & Ilford FP4+.

Taken on 10 March 2020

Film photography · Medium Format · Photography

Tinsley Park Cemetery

A couple of weeks ago I paid a short visit to Tinsley Park Cemetery and shot a roll of HP5+ through the Holga. It’s the first time I’ve visited the cemetery in 13 years – the last time was in 2007 when I took some photos with the Canon S2Is bridge camera I used at the time (and which I still have in a cupboard just behind where I sit typing this).

The cemetery is flanked by industrial units near its entrance and then backs onto Tinsley Park Woods and the land that was once part of the short-lived Sheffield Airport.

One of its most noteable features is the double gothic chapel, whose twin spires cast a distinctive shape in the air when seen from the nearby Woodburn Road. The two photos below show the chapels as you approach from the entrance and then the view as you descend back down the hill from the cemetery graves.

Approaching Tinsley Park Cemetery

Departing Tinsley Park Cemetery

While there are roads around either side of the chapel structure, the arched route through the centre is the most interesting path to take.

Threshold

The cemetery also has an intersesting lodge to your left as you approach the chapels.

The house by the cemetery

The cemetery was opened back in 1882 and is still in use for new burials today. As with most cemeteries of this age, there are large numbers of impressive Victorian gravestones and other features such as statuettes. Some of these, stood over the graves of Children, are moving to behold.

Fallen

Gravestones

In memory

There were large numbers of birds in the trees within the cemetery grounds. I’m assuming them to be ravens, but I’m not a bird expert and they could as easily be rooks or some other member of the crow family.

Four ravens

Another four ravens

Holga 120N & Ilford HP5+.

Taken on 23 February 2020

Film photography · Medium Format · Photography

The Old Queen’s Head

Dating back almost 550 years, the Old Queen’s Head is the oldest surviving domestic building in Sheffield, constructed at the end of the Plantagenet period. The building became a pub in the 1860s when the venue next door extended into this one. Prior to this the buidling was used as a house and may have been a banqueting hall before that. Mary, Queen of Scots was imprisonned in Sheffield in the late 16th century (although not in this building!) and it’s believed that this is where the pubs name is derived.

FILM - Old Queen's Head

Holga 120N & Kodak Tmax 400.

Taken on 10 January 2020

Film photography · Medium Format · Photography

Crucible Theatre

This is The Crucible Theatre in Sheffield. It was opened in 1971 and, as well as hosting plays and similar performances, has been the venue for the World Snooker Championship since 1977. The theatre has an unusual stage layout with the audience sitting around three of its sides. The building holds Grade II listed status.

Just opposite (to the right of the scene in this photo) lies the Lyceum Theatre, a more traditional (and older – dating back 120 years) venue.

FILM - Crucible

Holga 120N & Kodak Tmax 400.

Taken on 10 January 2020