At Clumber Park

This one’s a bit of a random re-scan – after I finished re-scanning the Agfa CT Precisa slides, I scanned a single frame of Superia 100 – mostly because I’d not done anything with this shot before. So here it is.

I’ll hopefully have a bunch of new stuff to go through this week once Easter has passed and the labs are open again.

FILM - At Clumber Park

Nikon F70, Nikkor 50mm f/1.8 AF-D & Fuji Superia 100 (expired 2007).

Taken on 17 October 2017

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Life among the ruins

This shot was taken not too far from the S1 Artspace building which had an exhibition last year entitled “Love among the ruins” which was a collection of photographs taken of people going about their lives in the Park Hill Flats complex in the 60s, 70s & 80s, so the title of today’s shot is a spin on that.

This shot isn’t linked otherwise, but sometimes a weed growing out of a crack in some concrete steps makes for a pleasing photograph.

 

FILM - Life among the ruins

Nikon F70, Nikkor 50mm f/1.8 AF-D & Klick XD200 (expired in 2001).

Taken on 16 March 2019

My first try at studio-style portraits

My local photo society had a studio-style model shoot this week which gave me my first ever chance to shoot professional models in this sort of environment. To be clear, this wasn’t a true studio setting, it was more a case of those members with studio-lights, backdrops etc. bringing them along, and then a session of organised shoots with each of the four models, so each member got a few minutes to photograph each of them.

I took along a couple of cameras: the Yashica Mat (which I remembered I’d loaded with 100asa film at the weekend, rather than the Delta 400 I’d bought for this session!), and my Nikon F80 with a Sigma 105mm f/2.8 and a 50mm f/1.8. I brought along a couple of film choices for the Nikon, but quickly decided on a roll of Tmax P3200 that I gratefully received from my Emulsive Secret Santa last year, and which I’ve not had opportunity to shoot until now. I figured the 3200asa film would give me plenty of leeway with shutter speed and hopefully produce some nice gritty portraits.

It became quickly apparent that I wouldn’t have enough time to faff around with the Yashica Mat, tripod, light meter etc, so quickly fell back to the F80 for the task at hand. Having never worked with models before, I didn’t really have a clue on how to direct them (and being somewhat shy didn’t help me either), but I was able to direct them in some poses I wanted to shoot, and I also heeded some advice I’d heard on a YouTube video once: That you should trust the model to pose for you. It’s their job, and they’ll know what works better than an inexperience photographer. This was good advice.

Anyway, not knowing quite what results I would get, I was very happy when I got my processed negatives back. While I’m sure there are many points to criticise, for my first attempt I was really happy with what I’d got. I’m not sure it’s something that I’m interested in pursuing further, but it was a good experience.

Anyway, here are a small selection (and there are a few more on my Flickr stream if you want to see the rest).

FILM - WPS Model Session-3

FILM - WPS Model Session

FILM - WPS Model Session-5

FILM - WPS Model Session-6

FILM - WPS Model Session-8

FILM - WPS Model Session-10

FILM - WPS Model Session-12

Nikon F80, Sigma 105mm f/2.8 OS HSM (except the shot with the tattoed arm in the foreground, which was the Nikkor 50mm f/1.8 AF-D) & Kodak Tmax P3200.

Taken on 19 March 2019

Work continues

The refurbishment of another section of Park Hill flats is underway and the block in question is cocooned in scaffolding and yellow netting.

This was taken on a roll of 2001 expired Klick XD200 film that I was shooting for this year’s Expired Film Day. Due to the age of the film, I overexposed it a couple of stops. It’s not come out too badly though – a little extra noise and a slight pink cast are the only real signs of its age.

FILM - Work Continues

Nikon F70, Nikkor 50mm f/1.8 AF-D & Klick XD200 (expired in 2001).

Taken on 16 March 2019

Wooden sculptures

I had to open the aperture wide to f/1.8 to get these. Although Hull cathedral was relatively bright inside, the 200ASA Colorplus needed all the help it could get to be shot handheld.

FILM - Carved

FILM - Carved-2

Nikon F70, Nikkor 50mm f/1.8 AF-D & Kodak Colorplus.

Taken on 26 October 2018