Film photography · Medium Format · Photography


I made a few photos of these flowers. They were beside the footpath I took on a walk a few of weeks ago – this one with the Holga, and a few others with my F80 and a macro lens. I’ve yet to have the F80 shots developed as I still have a couple of frames left on that roll, but I suspect they’ll look quite different to this Holga photograph which has given me a somewhat unexpected, but nontheless pleasant, low-key result.

Although I’ve titled the post (and photograph) “Daisies”, I’m not actually sure if that’s what they are. While the look of the flowers is the same, and the colours match, these are far larger than the daisies that sprout in our garden if I’ve not mowed the grass in a while. I’m sure they must be some relation though. Great Auntie Daisy perhaps? ­čÖé


Holga 120N & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24┬░.

Taken on 31 May 2020

Film photography · Medium Format · Photography

Another gate? Don’t mind if I do…

Keeping the theme going, here’s another gate shot – this one from my walk in the Moss Valley and shot on expired Shanghai GP3. In contrast with yesterdays photograph, this one was incident metered┬á and the difference can be seen quite clearly – the gate is well lit, but the shaded area under the tree has fallen mostly to shadow.

In fairness, my simplistic two-reading average method that I used on the shot shown yesterday might not have held up as well here as this gate was in full, bright, sunlight (and the photo has already had some work to drop the highlights), so might have been noticably overexposed had I used the same technique.

Gate in the sunshine

Yashica Mat 124G & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24┬░.

Taken on 23 May 2020

Film photography · Medium Format · Photography

Cottage by a meadow

It’s Friday evening again and I have to say that I’m very thankful for that fact. I’ve had a very busy week at work once again and am really looking forward to relaxing a little over the weekend. Hopefully I might get out to make some photographs – I have around six frames of 135 Ilford XP2 sat in my F70 that I want to shoot, certainly, which can then be sent off for developing along with a roll of Kodak Gold I finished a couple of weeks ago.

The weather doesn’t look particularly great on either day this weekend, but I can live with that – although boring flat grey skies or torrential downpours might put me off. I shall wait and see I suppose. If all else fails I’ve got a huge pile of photobooks to catch up on.

Today’s picture completes a hattrick of consecuitive shots from the same roll of Shanghai GP3 that I’ve posted photos from the past couple of days, this one being the last one on the roll. The backing paper had bled through on this one (and a couple of others), most notably in the sky,  so I’ve fixed it in Photoshop (although it was a bit of a quick’n’dirty job if I’m honest).

At the bottom of the meadow

Yashica Mat 124G & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24┬░.

Taken on 23 May 2020

Film photography · Medium Format · Photography

Gateway to a field

Following on directly from yesterday’s photograph, both in title (although this one’s a tad less evocative…), subject matter, and in timing – today’s photo being the next frame on the roll.

One of my ambitions this year is to make a book (or more likely a zine) of some of my photography. I’ve thrown my hat in the ring for a zine-swap with a group of other photographers where we each produce a zine and then send a copy on to everyone taking part, so we all get a nice little selection of each others photography in physical form. I’m still at the stage of figuring out both a) what subject to choose, and b) how the hell to make a zine. I have a few months yet though, so still time unless I get to too much procrastinating.

Anyway, what I suppose I’m trying to say is that perhaps a selection of photos of gates, fences. and stiles might make for a nice collection of photographs. Stuff like yesterday and today’s photos.


Yashica Mat 124G & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24┬░.

Taken on 23 May 2020

35mm · Film photography · Photography

Freedom part deux

The insect screen that hangs over the back door catches the wind pretty easily, and so it did while I sat on the back garden one day back in April. I liked the way the fluttering tassles looked against the blue sky so decided to take a photo. Obviously, as soon as I got my camera in hand this meant the wind dropped and I had to stand in place for five minutes before they blew into the air again.

This shot isn’t perfect – it has a significant vignette for some reason, and very few sections of the tassles are in focus, but I like the summery feel it has.


Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 11 April 2020

Film photography · Medium Format · Photography

Expired Film Day 2020 – I won a prize!

Back in mid-March I posted about my entry into this year’s Expired Film Day competition. I’d entered three images shot on a roll of Kodacolor Gold dated 1989. All three photographs had been made during my visit to Magpie Mine.

A couple of days ago I was alerted to the fact that one of my photos had won in one of the categories – the Lab Rat’s Choice award! I’m not sure that I’ll be able to use my prize as it’s a free dev & scan of a roll of film. In itself this is a nice prize, but as Old School Photo Lab (who kindly provided the prize) are based in New Hampshire, USA, and I’m in Yorkshire, UK, the cost of mailing a roll of film for development will likely outweigh the benefit of taking them up on their kind offer.

Whether I manage to claim a prize or not, I’m nevertheless flattered to have had my photo win in one of the categories.

By way of connecting todays photo to the words in the post, here’s a picture taken of the same location, on the same day as my winning entry. This one shot on a different camera and film though.


Yashica Mat 124G & Fomapan 100.

Taken on 16 March 2020

Film photography · Medium Format · Photography

To edit, or not to edit? To photograph, or not to photograph?

Another photograph I made on my final pre-lockdown roll of film today. It’s a photo I like a lot, but it’s one that, from an aesthetic perspective at least, could probably do with some editing. I’m talking primarily about the twigs at the left of the frame and the light stalks of grass at bottom-right, but also possibly the modern turbine (although I do like the juxtaposition, I’m not so keen on the placement of the old and new structures). I don’t mind removing distractions from my photos – although I never add anything in – but I’m also conscious to not completely change the reality of what was observed. Based on this, the twigs and grass are probably fair game, but I feel the wind-turbine is maybe a bridge too far.

Ideally, I would try to avoid distractions such as the twigs when taking the shot, but this particular composition has a very limited vantage point and reaching over to move the twigs would likely involve a fall or a nasty laceration from the barbed wire atop the fence through which I made the picture. Perhaps I’ll try again one day though.

In other news, our government in the UK has announced some loosening of the lockdown measures that will come into force this Wednesday. The key one for me as a photographer is that it is now allowed to drive to an outdoor location for the purpose of leisure as long as social distancing is observed. Although there was no mention of photography specifically, sunbathing and picnics (albeit only with members of your household) were both given as examples, so I’m pretty confident that photography would be ok.

While I like the fact that I can now venture further afield for purposes other than exercise or essential shopping, I’m not convinced that this is a good idea where reducing infection rates from the coronavirus is concerned. While I’m quite happy to just go for a walk around some agricultural land where I’m unlikely to encounter any other people (or can easily distance myself if I do), I fear that it will give free licence to masses of people who will now see it as ok to travel to the seaside, to beauty spots, and to other “honeypot” locations, meaning that these places will become potential hotspots for the virus to spread. Even if everyone maintains a two-metre distance, there will still be the need to use toilets and other facilities where there will be multiple opportunities frof conamination.

I’m not sure if, given my concerns, that my going out for photography – even to a place that is likely going to be deserted – makes me a hypocrite?


Yashica Mat 124G & Kodak Plus-X (expired 2008).

Taken on 22 March 2020

Film photography · Medium Format · Photography

The last of the pre-lockdown photos

I scanned my final roll of pre-lockdown negatives a couple of days ago – a roll of expired Kodak Plus-X shot with my Yashica Mat 124G. They were all taken the day before lockdown was introduced in the UK, and I managed to get them developed by my local lab on the actual day of the lockdown (it wasn’t announced until the evening). All the subsequent rolls I’ve shot have been developed at home (as of this weekend I’ve now self-developed five rolls).

I’d strongly suspected that the lockdown would be coming and so had taken the opportunity to drive out and get some photos before movement was restricted. Concious of the fact that there was a growing pandemic, I nonetheless chose an area where I was cofident that there would be few (if any) other people around.

The outing also marked the last time I’ve used my tripod oustside of my house or garden. While I’ve taken plenty of photographs since the lockdown began, I feel that carrying a tripod on outings that are supposedly for exercise would be breaking the spirit of the thing. Consequently all photos taken while out exercising have been handheld shots that I could take quickly and safely – literally a case of: spot a composition; lift the camera to my eye; click the shutter; and done. All in the space of a few seconds. There are many more photos that would be possible with a tripod, but they will have to wait.

On the day that this roll was shot though, I had my tripod with me. What I neglected to bring, however, was a cable release! Thus I learnt on the spot how the Yashica Mat’s self-timer function worked. Quite well as it turned out – all the shots where I used it are perfectly sharp and correctly exposed.

Today’s picture is of a cluster of teazels framed against some background fields. I’ll publish more from this fianl pre-lockdown roll in the coming days.


Yashica Mat 124G & Kodak Plus-X (expired 2008).

Taken on 22 March 2020