Film photography · Medium Format · Photography

Southerly transmission

A photo from the archive today, made a couple of years ago back when we were under the first covid lockdown here in the UK. I’m pretty sure I’ve not posted this image before – I searched for the camera, film, and the words “pylon” and “power lines” and nothing showed up, so finger’s crossed.

I was going to post another shot from the curly expired Tri-X, but it was another frame with the odd marks and, given the nature of the scene, I couldn’t photoshop them out to my satisfaction so decided against uploading it.

Southerly transmission

Bronica ETRSi, Zenzanon 75mm f/2.8 & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 27 April 2020

35mm · Film photography · Photography

Through an unnamed village and towards Christmas

Today’s photo is one of those scenes where, to my eye, everything just looked to be in the right place to make for an interesting picture. It definitely needed the power / telephone pole and wires I think, and I remember placing myself so that the lamp on the front of the building to the right would be silhouetted. It’s one of those pictures where I just though “yes” when I saw it come out of the scanner.

We’re now in that period post-Halloween and bonfire night here in the UK where Christmas kicks into higher gear. Now that those two have passed, retailers, advertisers and all the rest will launch into six weeks of increasing festivity ready for the big day. Last year quite a lot of people actually put Christmas decorations up as soon as bonfire night had passed, claiming the miserable Covid year meant they needed something to cheer them up. I wonder if that will persist? Personally it’s waay too early just yet. December 1st is my unofficial line I think. Advent clandars will appear then, the festive idents will appear on the terrestrial TV channels, and the first weekend after this date is usually when we trim the house. Still four weeks away yet though.

I also need to start putting together my gift for this year’s Emulsive Secret Santa now that names have been drawn. It’ll be back to a chunkier package again this year following last year’s paper-gifts only rule due to the pandemic. I’m looking forward to finding things to pop into the parcel.

Before we know it
Christmas will be here again
Where has this year gone?

Village street

Olympus XA3 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°

Taken on 22 October 2021

35mm · Film photography · Photography

Power and communication

A slightly grandiose title today. It sounds like I’m about to launch into an essay on politics and propaganda or something. Well, if that’s what you’re here for then prepare for disappointment. Instead, you’re getting some power-line photos. The bonus is that they’re carrying telephone wires too. Woot!

I think it was the large web of wires atop the poles that caught my attention. Telephone poles are becoming less common in urban areas such as where I live, with new cabling being run underground through ducts, although there are still poles to be found on older estates, particularly out into the suburbs. Out in the countryside theough and they’re still pretty common, although not always with such a bounty of cabling. I spotted this pair in a small village while out driving arounf looking for photo opportunities. I think they look pretty good against the threatening skies.

When we’re mistaken
By something someone might say
We have got crossed wires

Telecommunication
Power and communication

Olympus XA3 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°

Taken on 22 October 2021

35mm · Film photography · Photography

Pausing on a country lane

A couple of weeks ago I wrote a post about how I’d gone out for a spot of photography as a break from all the renovation and decorating that has been going one, but then forgot to take my tripod with me.

Today’s photograph was made when I realised what I had done. Instead of a medium format picture of this scene, I used my XA3 which I had thankfully taken along too. Although the day was dull and without much in the way of good light, the HP5+ in the XA3 was being pushed a stop to 800asa, so gave me good leeway in the conditions.

I’m not sure how a 6×6 medium format version of this scene shot on Ilford Ortho Plus would have looked, but this HP5+ version came out nicely.

Sometimes a mistake
Can lead to good things instead
Of disappointment

Between Elmton and Whaley

Olympus XA3 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°

Taken on 22 October 2021

35mm · Film photography · Photography

Out of town industry

I’ll be stepping back in time a few months for the next batch of blog posts as they’re all shots from a roll of Kodak Colorplus that was in tha camera I’ve been carrying in my coat pocket. Often these rolls are spread out over a few weeks or months before I complete them and get them developed.

Today’s photo was from a walk along the Trans Pennine Trail back in February. I shot a couple of rolls of black and white film with the Yashica Mat on that same day AND finished some Fuji C200 that was in the Sure Shot Supreme. The roll of colorplus was loaded after the C200 but took a while longer to be used up.

On the edge of town
Industry in the landscape
New Topographics

Town-edge industry

Canon Sure Shot Supreme & Kodak Colorplus.

Taken on 12 February 2021

35mm · Film photography · Photography

New Topographics

In 1975 an exhibition named New Topographics: Photographs of a Man-Altered Landscape was held in the International Museum of Photography in New York City. It featured works by a number of photographers – the Americans Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr., and the German couple Bernd and Hilla Becher. Each photographer exhibited 10 photographs.

New homes

New Topographics presented a different way of photographing landscapes, eschewing the traditional natural environments and instead presenting images of scenes with a clear human footprint, such as industry, suburbia, gas stations, parking lots and the like.

New Topographics

While I only came across the term in recent years, and at no point set out to be a “new topographer”, it’s clear that many of my photographs fall into the style. I’ve no doubt found influence in the works of photographers who were in turn influenced by the works of the artists presented in the original exhibition, although of the ten, I only have photobooks by Stephen Shore (though there are undoubtedly works by the others collected in other books in my collection).

It’s a style that doesn’t appeal to all. For many, the subjects of such photographs are ruinous blots on the landscape, detracting and imposing on the traditional bucolic scenes more often considered as landscape photography. But I have a place in my heart for both.

Grass fields and blue lakes
Overlooked by new homes
It was once a mine

Power to the people

Olympus OM-2N, Zuiko Auto-S 50mm f/1.8 + orange filter & Ilford Delta 100. Ilfotec DD-X 1+4 12mins @ 20°.

Taken on 4 April 2021

35mm · Film photography · Photography

Electric mist

There are two lines of pylons not too far from where I live. Both originate at a sub-station at Canklow and follow the same path for a few miles before branching apart at Swallownest. The eastern lines head past Rother Valley Country Park and then pace the Trans Pennine Trail south towards Chesterfield. The western lines head up towards Drakehouse and Owlthorpe, then across the golf course at Birley before heading out over the Moss Valley to terminate at Norton near the water tower.

Electric mist

Today’s photos show this second set of lines as they cross the Rother valley through the mist.

From out of the mist
Cables of steel cross the land
Headed for Norton

On and on

Olympus OM-2N, E.Zuiko Auto-T 135mm f/2.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 3 March 2021

35mm · Film photography · Photography

Vets and shopping and chores half finished

The first day of my long weekend and I feel I’ve achieved little. Well little of what I wanted to do anyway. Instead I’ve been caught up in things I had to do, which are usually not the same.

I had to take our cat to the vets for his annual booster vaccination but there was a delay and I ended up waiting 25 minutes past the appointment time. Due to Covid you have to phone the surgery upon arrival and then wait in your car until it’s time for the vet to see you, whereupon they come out, take your animal from you, and whisk it into the surgery for treatment. I had plenty of time for a good conversation with our cat, who was quite vocal in the car. I suspect he was just moaning about the delay though.

Once I got home, I had to then drive out to pick up some groceries with my wife. Once a month or so we go to a discount supermarket open to employees of certain organaisations such as the police, NHS, some supermarkets and others. Normally this is a relatively quick run up the motorway but today I had to make a detour into town to pick up some anchor bolts from the nearest branch of Screwfix that had them in stock. This added some time onto the journey, and then further time was needed to get some lunch – a drive-thru Burger King saw to this. Arriving at the supermarket we were greeted by a very long queue. There’s normally a bit of a queue to get in, but this time it was much bigger than usual. Again more time was sliced from my day.

When we got home I had to start looking at the pull-up bar that my son has bought as part of his exercise regime. Well, we’ve bought it for him is more accurate. There’s nowhere suitable to fit it indoors, so it’ll need to go on an outside wall instead, which is why I needsed the anchor bolts. I’d hoped to get it fitted today but by the time I’d put the piece of equipment together it was time to eat and I didn’t fancy having to start drilling the wall after that, so the chore has now rolled over to tomorrow.

Sigh…

I really hate chores
They get in the way of things
That make me happy

Through a gap in the trees

Olympus OM-2N, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 3 March 2021

35mm · Film photography · Photography

Poles and pylons

A quick count shows that I have 32 posts in my blog that have been tagged with “power lines”. I would have expected it to be much higher than that as I feel that I post a lot of images of, or featuring, power lines, pylons, and similar things. It could be that some are untagged, or tagged with “pylon” and not “Power lines”, which might bump up the count a bit though.

Anyway, that counter will tick up another notch today as – you guessed it – it’s a photo of some power lines!

I like this one – theres a leading line from the foreground pole, across the field of grass and rushes, and over to the pylon. There’s a stray street-light in there too, photo-bombing his electricity-carrying buddies.

Powerlines again
A draw to my camera
Many times before

Criss-cross

Olympus OM-2N, G-Zuiko Auto-W 28mm f/3.5 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 3 March 2021

Film photography · Medium Format · Photography

Farm track

This track runs parallel to the Trans Pennine Way for a while and the section depicted is open for public access. The remainder of the track leads up to the farm itself and has no further right of way. I know this because I once walked all the way to the end without realising. And then had to walk all the way back again.

I really like how this picture turned out. It looked nice in the viewfinder with all the leading lines, and the end result doesn’t disappoint me. Probably my favourite shot of the year so far.

Country road power
Leading the eye down the way
To places unseen

Farm track

Yashica Mat 124G & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 12 February 2021