I think that today’s three photos will be the last of the batch from my trip to Monsal Dale (and Asford-in-the-Water). I have a few more images but none that really stand out as worth posting here. For some reason a number of frames from this roll came out a little underexposed – I’m not sure if it was the way the XA3 metered the scenes, or (more likely) that I under-developed them or something. Nonetheless, I’ve managed to get them looking pretty nice (if a bit grainy), I think.
Three more photos from Ashford-in-the-Water, all taken on the banks of the River Wye where it flows past the edge of the village. It’s really quite picturesque.
The bridge in the third image is Sheepwash Bridge, a 17th century packhorse bridge which is a Scheduled Monument, giving it legal protections from modification. To the left of the bridge in the image is a stone pen. Lambs would be places in this pen so that their mothers would be enticed to swim the river to get to them. As they swam they would be pushed beneath the surface to clean their coats before they were sheared. There were no lambs in the pen on this day, although there were a couple of ducks.
That’s the same swan in all three shots. 🙂
Yashicamat 124G & Fujifilm Pro 400H. Lab developed. Home scanned and converted with Negative Lab Pro.
I guess that, if you’re afraid of arachnids, the Spider Bridge might not sound all that appealing. There are a couple of huge spiders there too, lurking in the shadows above the walkway (out of shot), but they’re made of metal and don’t actually move about all that much (unless they sense fear!!!). There are probably hundreds of other, normal spiders on the structure too, as there are on pretty much any structure, but they won’t harm anyone and will probably remain completely unnoticed unless you go loooking for them.
The Spider Bridge forms a part of the Five Weirs Walk in Sheffield, carrying the footpath along a suspended section – which looks like it’s hung by thick strands of web – under the arches of a disused railway viaduct with the dark waters of the River Don flowing beneath. When there has been heavy rainfall, and the river is in spate, I expect that walking this bridge might be quite an exciting experience!
This is the same bridge that featured in yesterday’s post (and also the post about Retropan 320 the day before).
This is my favourite of the three pictures – the wider angle and format shows more of the bridge’s structure than the 6×6 Yashicamat photo did, plus the people in the shot are well placed in the frame, have well timed gait, and also similar hairstyles, all of which contribute I think.
I’m pretty happy with how this picture turned out. It was a spur-of-the-moment effort quickly taken when I spotted the girders and their reflections as I walked beneath this bridge over the River Aire in Leeds.
Apart from framing the photo as I wanted, my only real concern was that there might be some camera shake due to lack of light and my inability to control shutter speed or aperture on the little Olympus XA3. There was a railing just out of frame and so I leant on that to give a little extra stability. I was happy to see that the shot came out well, and better than I actually anticipated.
I’ve spent this afternoon developing a roll of Ilford FP4+ that I shot last weekend, and also scanning a roll of Fujichrome Provia 100 that I also shot suring the same session (but which I had developed by my local lab as I don’t have the gear for developing E6). I’m pretty happy with the Provia scans, and they’ll start to appear on here after the weekend. The FP4+ negatives look nice too, although I can never truly tell until the scan appears before my eyes.
Today’s photo is another from the foggy morning’s walk a few weeks ago and was shot beneath the viaduct that featured on the blog a couple of days ago.
Two quite similar photos today, both of the A57 viaduct where it crosses the River Rother and railway lines. There was thick fog on the morning they were shot and it just disappeared into the blankness. I’m not sure which of the two I prefer though. I like the composition of the first, which is quite clean and layered, but I like the interest of the foreground grasses in the second (although they’re maybe a little messy). Anyway, both here to see, whichever you prefer.
I’m really happy with how this shot turned out. Again, the vignetting has added some grit to an already nicely gritty scene. I’d just walked beneath the underpass myself and was out the other side when I saw someone going the other way. So I about-turned and grabbed a picture of their silouhetted form as they reached the light at the far side of the tunnel. The 35mm lens focuses pretty slowly for some reason on the F80 so the figure isn’t totally sharp, but I don’t think it matters at all in this picture.
Figures pass below Under the traffic above Echoes of John Foxx