I wonder what this wooden groyne looked like when brand new? And when it actually was brand new? It would be interesting to know how many years of being pounded by waves, pebbles, and sand it took to reduce it to this somewhat broken-toothed appearance.
I like this photo. It has a clean, minimal feel to it. The sky is clear of cloud (bar a couple of barely discenible whisps) and the lines of the horizon, fence, and bench add an element of structure. The man sits slightly off-centre, adding a small sense of discord to the picture.
I wonder what the man was thinking about as he sat there, looking out across the North Sea? When I see picture that I have taken such as this, I sometime wonder if I should have spent more time taking in the view myself, rather than trying to photograph it. I sometimes feel that I’m spending too much time trying to capture a moment to be enjoyed later when the reality is right there in front of me. But the camera, it draws me…
At Hornsea, where the wooden groynes meet the sea wall, concrete steps have been placed to allow people to bypass the wooden structures. The sun was bright and contrasty by the time I made these pictures and, as I had a roll of Fuji Acros in the camera at this point, I thought that these steps might make for decent subjects.
While I’m sure that this little boat once served some actual water-borne purpose, it now looks to serve as decoration for this building which houses a shop, a cafe, and I believe, the inshore rescue service.
I spoke a little about the erosion that is taking place on the shoreline of Yorkshire’s east coast the other day. These two pictures show how close to the edge some of these caravans are sat. While they no doubt have wonderful views out over the North Sea, I think I’d be tempted to move to a new pitch if I was the owner.
This video gives a good view of just how parlous the situation is for structures placed close to the cliff tops in this region.
Someone had been walking barefoot across the beach at Hornsea on the day I visited. Whoever they were, they had moved out of sight before I came across their tracks.
I like this picture but can’t help but think that there was a better one to be had. I wanted to keep the building in frame at the upper right, and I wanted a crashing wave as well, both of which I’m happy with, but the placement of the footprints isn’t quite how I’d like it.
Scenes like this require care. walk into the scene and, to quote Joel Meyerovitz, it becomes bruised – in this case the risk that the smooth sand becomes tarnished with my own footprints as well as the unknown walker’s. Maybe I should have sought out more patience but, as usual when I visit somewhere that’s not as easy to get to, I like to try and maximise my value from the day and see as much as I can, which means I tend not to hang around a sinmgle location of photo opportunity for too long. Perhaps I would improve my photography if I did.
I was wondering what picture to post today, especially as I’ve almost exhausted my current supply of fresh pictures (the ones that are scanned that is – I have a couple of rolls waiting to undergo their analogue to digital transformation, plus three rolls waiting to be developed AND another couple of rolls in cameras with just a handful of frames remaining to be shot).
So, I picked out the two below which have some thematic connection at least.
I’m not sure of the reason – although the humid weather might be a cause – but I’m feeling particularly stressed-out today, a feeling that has increased during the afternoon. Despite this, I did manage to develop a roll of film during my lunchbreak, and also started scanning som 120 Kodak Gold negatives when I finished work (although that process was not going smoothly, so I packed it in before my stress levels increased further).
I’ve not much to say about today’s picture other than this large fibreglass sheep was stood outside a shop I passed when on a day out with my wife last month. It was striking enough to make a picture.
I guess that this is a similar picture to the one I posted yesterday. This one is overexposed though. It’s overexposed because I mistakenly set the 35 RC to an f/2.8 aperture instead of the A (for auto) setting that would allow it to meter correctly in it’s standard shutter-priority mode. As a result this picture (and a couple of others) got far too much light. The other couple I’ve discarded in terms of posting them anywhere but I still quite liked this shot so I did what I could to recover it.
The photo also appeared in Flickr’s Explore section today, which I was a little surprised by. I get pictures selected for Explore on a reasonably regular basis (probably one a month or so) but they are rarely the photos that I think are my best. In fact, they’re often the ones I like the least. I have no idea how Explore selects it’s photos.
Whenever I get a photo in Explore I always get lots of comments from people congratulating me on the achievement. I’m grateful if people like my photos, but these people rarely seem to then venture into my feed to look at the other (arguably better) pictures. It’s almost as though anything not in Explore is somehow sub-par and not worth bothering with.
I don’t tend to look at Explore very often – usually it’s only when one of my pictures is featured and I’m feeling nosey as to how far down the selction it appears. There are a lot of very nice photos featured, but there are also a lot of obvious pictures too, as well as some bizarre choices from time to time. However, if I do find one I really like then I will go and look at the feed of the photographer as sometimes this introduces me to new bodies of work I really enjoy.