Film photography · Medium Format · Photography

Crossing a golf course

In direct continuation from yesterday’s post, the four images today were made while crossing Renishaw golf course. The golf course borders the farmland where yesterday’s photographs were made, the two areas split by the River Rother, and a metal-framed footbridge spans it’s flow.

Another bridge across the Rother

The golf course was, as you might expect, shrouded in the same fog as the farmland. As golf courses have been closed due to the lockdown, no-one was playing – although fog might not be the best conditions for golf anyway I suppose, pandemic or not – and the course was empty of all but the occasionl individuals and small groups out walking in the murk. If you look carefully, you might be able to see some of them in the trees at the other side of the fairway.

Beside the fairway near the bunkers

As I followed the footpath through the course I noticed these neat rows of fallen leaves, presumably raked by the groundskeeper.

Leaf lines

My final shot beore leaving the golf course was this signpost.

Next hole

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Fujifilm Superia 100 (expired 2008).

Taken on 7 November 2020

35mm · Film photography · Photography

A skeletal tree before lockdown #2

As I type this the country is awaiting a briefing from the Prime Minister where he is expected (based on a leak earlier in the day) to announce a new national lockdown to combat the escalating rates of Covid-19 infections. It’s expected to last a month at least.

While I don’t know the details yet, it’s possible that any photography may one again be limited to photos I can make while out taking exercise. Not ideal for the point of view of my passtime, but fully acceptable if it helps slow the spread of the disease (although I’d prefer we hadn’t gotten back into this state in the first place).

The location of today’s photo is within excercise distance, so maybe I’ll make more photos of this individual subject if wider travel is prohibited.


Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020

35mm · Film photography · Photography

Boot sale

Ah, the good old British car-boot sale. What beats getting up at 6:30am on a misty Sunday morning on the off-chance that someone is selling a Leica for a quid?

I didn’t get a Leica on this occasion (as I haven’t on all the occasions I’ve ever been to a car-boot sale, oddly enough), but I bought a Vivitar V635 with 28-70mm and 80-200mm lenses, and an Olympus OM-10 with a Zuiko 50mm f/1.8 for the princely sum of £12.

The Zuiko lens was faulty, so that went on eBay for spares / repairs and I got enough for it to cover my initial £12 outlay. The Vivitar was tested and, while it worked perfectly well and was in great condition, the lenses weren’t as sharp as others I already own for other systems, so that is being sold off too. I replaced the light seals in the OM-10 and finished a roll of Agfa Vista Plus 200 in it the other day, so should get the results back from that test roll this week. If all is well, I might keep hold of that as a spare body to complement my OM-1.

FILM - Boot sale

Canon Sure Shot Telemax & Ilford XP2.

Taken on 7 April 2019

35mm · Film photography · Photography

Oddshots #3

This has come rather closer to the last Oddshots posting than I expected, but as I haven’t gotten around to writing about the roll of Ektar I shot on Tuesday as yet, I thought I’d drop this in to keep up the flow of posts (I promised myself I would update the blog at least once a week, but seem to have gotten into a faster pace, so I may as well keep it up while I have stuff to show).

So, today’s oddshot was taken back in January this year with my Olympus OM-1. I’d bought a roll of Rollei Retro 400s film after being impressed by the results I’d seen produced by other people, so I loaded it up and off I went on a somewhat misty and gloomy winter’s day. What I’d not considered however, was the double whammy facts that, 1) Rollei Retro 400s is better shot at 200 ASA rather than box speed (at least according to most of the reports I looked at after I’d shot my roll) and, 2) that my OM-1 meter was out by about a stop due to it containing a 1.5v battery rather than the 1.35v it was expecting. I thought I was compensating for this by the meter needle placement, but I was clearly out by some margin (I’ve since had the camera modified to meter correctly with a 1.5v cell). The result of this was that the entire roll came out pretty significantly underexposed.

While some of the shots were write-offs, thanks to film being film, I was still able to rescue a good percentage of the photos. They’re all still underexposed, but in a way that I wasn’t unhappy with, and which rather suited the murky day on which they were shot. The picture below is an example of this. While’s it’s pretty dark, I really think that it’s added some atmosphere that might otherwise not have been there and resulted in a photo I like a lot. I’ll maybe post others from the same set in future.

FILM - On bleak winter days