35mm · Film photography · Photography


Taken back at the start of the month, it’s hard to think how quickly the scene portrayed here would change. It’s now very unlikely that you will see people trundling luggage through the streets given the large scale reduction in public and private transportation. only today, Easyjet, a UK-based budget airline, announced that it would be grounding its entire fleet until further notice.

While the curtailment of my own photography due to the pandemic continues, I did take several photographs in the house today. A few weeks before this whole situation unfolded I bought a small, cheap, but effective collapsible mini-studio. While it’s quite small, it will be useful for taking macro shots of items. Today, however, I used my Minolta SRT 101b and 50mm f/1.7. Getting as close as the camera would allow, I was able to take photographs of some fruit and vegetables. While I don’t think I’ll be troubling the works of Edward Weston any time soon, it’ll be interesting to see how they turn out nonetheless. Also, each photo I take gets me a little closer to the point where I can have my first bash at home development, which (although still making me slightly nervous) I’m eager to try now I have most of the necessary equipment.


Canon Sure Shot Supreme & Lomography Color Negative 400.

Taken on 1 March 2020

35mm · Film photography · Photography

Abandoned bags

Another shot featuring reflections (albeit, mostly of the sky in this one) making up a trio of posts over the last three days. I like the ambiguity of this shot, it making it look like the faceless person walking away has forgotten or abandoned their bags.

One thing this roll shot with the little Pentax Espio has taught me, is that the camera falls back on slow shutter speeds very quickly in low light. Several shots on the roll were largely spoiled because of subsequent camera shake (although in some cases, the motion blur has added a great sence of movement to the images too). This said, I have used it in dim light before without any noteable camera shake, so I wonder if it’s somehow mis-read the Kentmere’s DX coding (or maybe it’s just faulty)? Where I’ve used the camera in sunny conditions, it’s a capable little performer though, so I shall bear that in mind for future reference.

FILM - Left behind?

Pentax Espio 140M & Kentmere 400.

Taken on 15 January 2020