35mm · Film photography · Photography

School Room

Continuing this run of photos from Elmton, here is the old School Room. No longer used as a school as far as I know, and instead used for events.

Lamp-post sentinel
Gives light to the old school room
Day in and day out

The old School Room

Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20┬░.

Taken on 7 August 2021

35mm · Film photography · Photography

Kissing gate

While walking through Pleasley Country Park, my route took me through this metal kissing gate. While not a quaint as some of the older wooden gates I’ve seen, it still made for a nice photos I thought.

The name “kissing gate” derives from the gate itself swinging freely, “kissing” the inside of the frame rather than needing to be latched to prevent livestock from passing through. When I was young however, I was told that it was traditional to kiss the person passing the gate with you. While a nicely romantic idea, I have sometimes had to pass through such gates at the same time as complete strangers, so probably not a practical suggestion! ­čÖé

Kiss from a stranger?
Perhaps not a good idea
In a pandemic

Kissing gate

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20┬░.

Taken on 12 June 2021

Film photography · Medium Format · Photography

In Monk’s Dale

A few weeks ago I wrote about my exhausting hike through Monk’s Dale. Today I’ll share a couple of photos from the hike – or at least the most difficult part through the steep-sided and heavily wooded limestone gorge.

This first image was a point of great relief. It looks back into the gorge that I had just exited through the gap in the wall. Ahead of me lay only a short section of grassy fields before I reached the road (although I then had to hike up the steep incline to the top). The photo is nicely atmospheric but doesn’t really convey the sweat-dripping tiredness I felt at this point.

The beckoning of exploration

This next image was taken part of the way through the thickly wooded area and shows the thick, dripping moss that covered the stones and trees at the foot of the valley. What it doesn’t convey is the autumnal orange colour that this moss displayed.

The valley is a very interesting place photographically, but I’m not sure if I’ll venture back just yet.

My path wandered through
A place of rocks and woodland
Humid and mossy

At the bottom of the valley

Yashica Mat 124G & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20┬░.

Taken on 24 May 2021

Film photography · Medium Format · Photography

Maybe halfway up

I’d estimate I was perhaps halfway up the side of the valley when I made this photo, climbing from the River Derwent at the bottom up to Over Owler Tor – the highest point on my walk that day. The house that can be spied beyond the gate sits on the main Sheffield to Hathersage road.

Thighs aching, I walk
My ascent up the valley
To my origin

Just a field away

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20┬░.

Taken on 6 April 2021

Film photography · Medium Format · Photography

A resting gate

A lone gate leant against a drystone wall. I’m not sure where it came from – I didn’t see an empty gap – so it’s possibly a backup gate, or maybe one that’s gone feral and escaped its bounds…

In spite of a chain
This gate has escaped its place
And rests in the sun

When gates escape

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20┬░.

Taken on 6 April 2021

Film photography · Medium Format · Photography

Back to the Peak District

With the easing of the lockdown in England it has meant the ability to travel a little further afield for photography has returned, so I’ve taken a couple of trips out into the Peak District – the closest bit, nothing too crazy! On both occasions I set out quite early and the car-park I’ve used has been almost empty, but has been busy when I’ve returned a few hours later. There are lots of places to venture from the car-park though, so it’s easy to keep plenty of distance from other people.

It’s nice to go somewhere different to make photos again and I’ve a big list of destinations for when the rules ease further from next week. It’s quite easy to get caught up in the act of taking pictures now the opportunity is back, so on today’s hike I made sure to take time to take things in through my senses without a viewfinder acting as a window to everything.

Countryside hiking
Feeling fresh air on my skin
It is wonderful

Gate

Fujica GW690 & Fujifilm Superia 100 (expired 2008).

Taken on 29 March 2021

35mm · Film photography · Photography

Over and under a flyover

Today’s post contains another of those photos that I am drawn to, but which other people probably think is rubbish.

So, if have to try and say what I like about it, it’ll probably be down to several factors: The contrast that the orange filter has given to the scene, particulalrly the clouds. The lead-in line of the fence, plus the tree framing the edge of the shot. The gate. The distant viaduct and pylon. And finally the car, which adds a hint of mystery.

If I have a complaint, it’s that I wish the top of the pylon hadn’t intersected with the bridge. I’m sure I framed it otherwise, but maybe I wobbled upon pressing the shutter.

Anyway, I like it.

Everyday scene
But something is attractive
And catches my eye

Over the flyover

Olympus OM-2N, G-Zuiko Auto-W 28mm f/3.5 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20┬░.

Taken on 25 March 2021

35mm · Film photography · Photography

The gates where the cows get in

These gates sit at the north-western end of this field where the path leads beneath the arches of the railway viaduct. It allows passage for the herd of cows who roam the fields on either side of the railway line. It also allows passage for walkers.

On this morning the gate was lit by the low, rising sun that was burning through the ground mist. It makes for a semi-rural scene, but the area is surrounded on all sides by human activity, whether the houses and businesses on the hillside to the east, the river and remains of the old marshalling yars to the west, and the flyover to the south, just about visible through the gap in the gates. I don’t mind any of this, plus great light makes the opportunity for good photography regardless of location.

Gates

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20┬░.

Taken on 18 September 2020

Film photography · Medium Format · Photography

Another gate? Don’t mind if I do…

Keeping the theme going, here’s another gate shot – this one from my walk in the Moss Valley and shot on expired Shanghai GP3. In contrast with yesterdays photograph, this one was incident metered┬á and the difference can be seen quite clearly – the gate is well lit, but the shaded area under the tree has fallen mostly to shadow.

In fairness, my simplistic two-reading average method that I used on the shot shown yesterday might not have held up as well here as this gate was in full, bright, sunlight (and the photo has already had some work to drop the highlights), so might have been noticably overexposed had I used the same technique.

Gate in the sunshine

Yashica Mat 124G & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24┬░.

Taken on 23 May 2020