A canal-side building on the Sheffield & Tinsley canal.
Nikon F70, Nikkor 50mm f/1.8 AF-D, Kodak Tmax 100 (expired September 1994 and shot at 50 ASA)
Taken on 28 August 2017
This is the third and (I think) final post regarding last Sunday’s walk around Victoria Quays in Sheffield. The first two parts can be found in the links below.
The main difference in the shots posted in this piece is that they were shot with a different camera – a Minolta Hi-Matic G2 – and on colour negative film – Agfa Vista Plus 200. I picked the camera up a few months back for £2 when I saw it in a box of compact cameras at a camera fayre. All the items in the box cost £2 each and I ended up with three of them: the Minolta, a Konica Pop, and an Olympus Superzoom 105G. I like to have a camera on me when going out even if not specifically to take photographs, and small compacts like this are ideal for the purpose. I’ve used a number of them over the past six months or so, usually just loading them with a roll of film and then chucking them in a coat pocket to be used in the event that something interesting turns up while I’m out and about.
I always use Agfa Vista Plus 200 as the first film through a newly acquired camera for the simple reason that it can be had for £1 a roll at Poundland (or at least it could, recent developments have revealed that Poundland are to stop stocking the film) and I’d rather that, if the camera turns out to be faulty, I waste a cheap roll of film than some more expensive Tri-X or Portra or something. That said, despite its low-cost, I do like the results the film gives, especially in bright, sunny conditions, and it has a slight magenta tone to it that I think looks nice.
The Minolta is quite a nice little camera. It’s pretty no frills, being a zone-focus camera with little manual control other than setting the focus distance via the lens barrel. It’s very similar to an Olympus Trip 35, but has the advantage of having the distance scale as well as the icons on top of the barrel (the Trip has the icons on the top only, and the distance scale beneath the barrel, which is a little awkward if you’ve not memorized them and can’t remember just how far away the head-and-shoulders icon represents). I also prefer the wind lever on the Minolta to the Trips’ thumb-wheel winder. It’s not as nice looking as the Trip 35 though, but it still has its own charm and it feels nice in the hand. The lens is a 38mm f/2.8 and is nice and sharp. Out of the 25 frames I got from the roll, none is out of focus, a testament to my skill in measuring distances (or perhaps that they were almost all shot in bright conditions and the narrower aperture would’ve covered my mistakes!). The camera’s aperture is set automatically but can be seen through the viewfinder on applying a half-press of the shutter button, giving an idea as to the results you will get from the shot. The camera takes a discontinued 1.35v mercury cell, but mine has a 1.5v inserted and I just compensated by setting the ASA dial two-thirds of a stop slower so that the camera thought I was shooting 125 ASA film rather than the 200 ASA roll that was inside, and the exposures are all pretty much spot on.
These shots were taken after finishing off the roll of Fomapan 200 in the Yashica Mat, and are mostly from the walk away from the canal basin and onto the beginning of the canal proper. I’ll not post every shot I took, but the ones here give a flavour of it and some indication of what this little camera can produce.
The first is of a boat used for cruises up and down the canal – I think they have discos and dining onboard sometimes. I’ve heard of people going on these events but have never done so myself.
The next couple are of the Sheaf Quay building (I also posted a shot of this taken with the Yashica Mat 124 G in part #2).
Next is a random barge. The shot above was taken from the towpath just in front of this boats’ bows.
The next shot is still on Agfa Vista Plus 200, but converted to black & white in Lightroom. I think the contrasts of light and shade suit mono better than the colour original.
Just beyond the chimney stack and under the next bridge, I took a couple of shots of other boats, one in the water (I like the wavy, geometric reflections of the building in this shot), and another up on the opposite bank of the canal.
I took a few more shots in this area before walking back to the canal basin and back to the car park. I had to wait for a short time while a man the manually operated swing bridge that joins the north and south parts of the quay. Just on the opposite bank is a bicycle used to advertise a local second-hand shop. Again, I took a similar shot (albeit of a different bike) with the Yashica Mat which can be seen in part #2.
The final shot of the day was taken as I walked through the car-park back to my car. I liked the way the sunlight was falling on the space between the alternating decks of the car park and so grabbed the shot below. Again, I think this works better in black and white.
All-in-all, the little Minolta is a nice camera. I’m pleased with the results and will likely use it again at some point. I don’t think it really offers anything the Olympus Trip 35 doesn’t also provide, but it’s enjoyable to use. Certainly well worth the £2 I paid for it!
Following on from my last post, this documents the next section of the outing (and presents the remaining seven shots taken with the Yashica Mat 124 G).
After walking around the wharf buildings, I ventured to the area surrounding the canal basin. This is the terminus of the Sheffield & Tinsley Canal and a mooring point for a number of narrow-boats and other small vessels, including a few used for commercial use (canal trips and the like). The canal was opened in 1819 and links the centre of Sheffield to the point at which the River Don (which also runs through the city) becomes navigable at Tinsley. It’s a relatively short canal, being approximately four miles in length. The canal’s route takes it through the heart of the city’s industrialised east-end which was formerly the site for a large number of steel foundries and associated works. While Sheffield still retains a notable steel industry, it’s vastly diminished from its heyday, and where once large steel-mills stood, there are now retail parks, shopping malls, sports facilities and modern industrial parks. I didn’t venture more than a couple of hundred yards from the canal basin on the day though.
The fist shot of this batch was taken next to the Straddle Wharf building (seen in the last blog post), and was of a small cabin-cruiser type vessel (I know very little about boats, so please forgive my ignorance, and excuse any errors I might make in my descriptions). The boat had some nice reflections on its hull from the sunlit ripple on the water that were being stirred by an occasional breeze, and stood overshadowed by the new Hilton hotel building to the rear. A little cruelly, I thought to myself that it looked like Sheffield’s cut-rate answer to Monaco, and took the shot.
There were narrow-boats moored along the water’s edge where I walked and so I took a couple of shots of those, one taken head on (I like this shot, but the floating carrier bag in the water maybe isn’t the best thing to have included int he shot, eh?), the other with faded but attractive Chinese characters on its side.
Further along the canal is a hand-operated swing-bridge which has some wooden “buffers” set into the water to prevent collisions from any approaching vessels. Atop one of these wooden structures were a couple of ducks having an afternoon nap.
There were a couple of similarly sleepy ducks sat on the edge of the towpath close-by too. I tried to take their picture, but one of them woke up with a quiet, but slightly alarmed quack as I got in close to focus. I would still have gotten the shot, but then a couple walked past talking loudly and scuffing their feet on the floor and the awakened duck made a bolt for the safety of the water. Despite the other duck remaining, the moment was lost.
The next shot looks up the towpath. The iron bridge to the rear of the shot (behind the chimney stack) formerly carried the railway lines into and through Victoria Station. The station and line were closed in 1970 following the Beeching Axe.
Just visible in the shot above is the subject of the next shot, the Sheaf Quay or Sheaf Works building, a former cutlery works built in 1823 but now home to telemarketing firms.
The final shot of the roll was taken back near the swing-bridge and is of one of a number of bicycles used to advertise a local second-hand store. The shot has been cropped due to a mark on the negative (akin to a staple hole – this is the second time this has occurred with a roll of Fomapan 200. It has never happened with other film stocks, so I’m wondering what the cause might be?). The 6×4.5 crop still works ok I think, but the “No Fishing” sign on the wall in the upper left of the frame has been lost as a result.
So, there’s the last of this particular roll of 120 film. Fomapan is pretty cheap in comparison with Ilford and Kodak stocks, but I’m not unhappy with the way it looks. I have found that it tends to have scratches on some frames though and a number of small black speckle marks, plus the issue I’ve had with the strange holes in the last frames of both rolls I’ve shot so far. I’ll certainly be likely to use it again in future (I have a roll left still, so there will definitely be at least one more outing for it).
I still have a lot of shots taken on the same trip but using my Minolta Hi-Matic G2, so those will appear on here before too long. They’re in colour too, so that will make a change for the blog!