Although I don’t think it would suit everything, the vignetting caused by using this crop-sensor lens on a 35mm film camera works very nicely on B&W inages I think. It adds a definite mood to the images.
This shot is one of my favourites from the roll. I think it would have worked ok with just the building, but the front of the canal boat really gives it a bit of oomph.
So this lens vignettes Adding mood and grit to shots Centering the eye
This fella was pottering about on the edge of this canal boat and tinkering with the ropes. I have no idea about boats so don’t really know what he was doing – he could have been tidying for all I know.
I used my APS-C 35mm for most of the roll that this picture was taken from. Although designed for a crop-sensor, it has a large enough image circle to work on a full-frame / 35mm camera, albeit with vignetting. The vignetting becomes pronounced as the lens is stopped down, but at wide apertures it’s acceptable (well, to me anyway). The autofocus seemed exceptionally slow on the F80 with this lens though.
Fast lens, slow focus It’s not meant for a camera That shoots 135
Just a few days ago I said that I was at the end of my autumn colour images for this year. Well. turns out I’m not – I forgot about this roll of Velvia 50 that I shot on a walk along the Chesterfield Canal near Thorpe Salvin a few weeks ago.
The roll was tricky to meter with confidence. Given that I don’t have a spot meter (just a reflective setting that’s has a pretty wide angle and no meand to accurately point it) I almost always use incident readings instead. Incident metering usually serves me very well, but a canal withich has irregular tree cover along it’s banks makes it difficult to match the light falling on the meter with the subject unless it’s pretty close by, or you’re sure it’s in the same levels of light.
As a result, quite a few of the images on this roll are poorly exposed, and the ones here are probably the best from the canal-side walk.
Of the four, the sycamore leaf below is the best I think (even if it did keep attempting to blow away in the light but irregular breeze!).
Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujichrome Velvia 50.
I took this shot while using up the final frames on this roll of Shanghai GP3. The walk along the towpath beside the Chesterfield Canal is known as The Cuckoo Way and can be followed from Chesterfield all the way to the point where the canal enters the River Trent, approx 50 miles away.
Although it was a very hot and bright day, the place where this canal-boat was moored was in shadow from the trees beside the canal towpath and I had to open the Zeiss to it’s widest aperture to get a decent shutter speed on the 100asa film.
I don’t normally shoot the camera wide open as it performs better when stopped down, plus the uncoupled rangefinder design can make it a bit of a best guess for fine focusing.
In this case though, the boat was far enough away for the focusing to not be too much of a concern and I quite like the way the lens has rendered the scene. It’s hardly some kind of “bokeh monster”, but has given a nice hint of seperation in the focus.