After mentioning yesterday that I seem to photograph a lot of churches, here’s another one. I didn’t realise that this was a church until just now, when I looked up the location on Google maps. On the day the photo was made, I just noticed an impressive looking building. I didn’t actually go around the front of the structure, where the purpose of the building would have been revealed, instead turning right and heading towards the town centre after taking the shot.
Zeiss Mess-Ikonta 524/16 & Shanghai GP3. Ilfotec DD-X 1+9 10 mins @ 24°.
Taken on 25 July 2020
I scan all my medium format black & white and reversal images using an Epson V550 flatbed, while 35mm is scanned on a Plustek Opticfilm8100. Ive always left unsharp mask on when scanning 120 film as I thought the results were good. Untill a week or so ago when I was testing out Vuescan.
Vuescan allows image sharpening, but it has a simple on/off checkbox rather than the levels of control afforded by Epsonscan and (moreso) Silverfast so I decided to test a few things to see how the various scanning options on each piece of software compared – plus no sharpening of the scan at all with sharpening applied later in Lightroom.
At first it looked like the sharpened images from Epsonscan had better resolution of detail, but after a lot of scanning, re-scanning, and playing around with the sharpening control in Lightroom I decided otherwise. The sharpened images from Epsonscan were displaying a level of noise and “grit” that I decided I didn’t really like, whereas unsharpened scans from the same software processed in Lightroom were much more appealing, showing a much nicer rendition of detail and grain.
It’s striking how, after years of thinking you had something just how you wanted it, you can all of a sudden change your mind.
I think I’ll stick to Epsonscan for my 120 B&W scans. Vuescan is great, and does a much better job on reversal film, but it lacks the tweakable visial histogram that Epsonscan has, and that makes a big difference to my final results. At least until I find a better way… 🙂
Today’s shot was scanned on the V550 and sharpened in Lightroom. If you look at the full size image on Flickr you might find a black cat that was keeping an eye on me. At least I think it’s a cat. It could possibly be two spots of strategically located dust that look like eyes. Or something more sinister… Eek!
Yashica Mat 124G & Ilford HP5+.
Taken on 12 July 2020
The local lab that I use for developing has re-opened. Well, in actual fact it opened weeks ago, but I’ve only just spotted that the walk-in reception has now opened again too, meaning I can drop off and collect films without faffing about paying (and waiting) for postage.
Given I’ve been developing my black and white film at home since the lockdown took place, it’s likely that I won’t use them as much as I used to, but today I had a roll of Provia 100F to get developed – I don’t have the chems for E6 film, not do I really want the faff of the temperature control involved. I also had a roll of HP5+ that I was going to develop myself but, as I won’t get the chance until after next weekend, I decided to take the lazy option and pay for it to be devved on this occasion.
I’ve not scanned either roll yet, but the Provia shots look nice and, while I’m not an expert at reading negatives, the HP5 shots look good too – something I’m pleased about as I took a few shots without realising I’d accidentally knocked my light-meter’s ASA setting to 800!. I’ll try scanning both rolls with Vuescan on my Epson this week to see how they compare with my usual Epsonscan process.
Today’s photo is as hot of a building in the city centre. I liked the play of sunlight on the windows. It’s one of a number of photos I made with the 28-70mm Tamron Adaptall lens that came with the OM-2n when I bought it, but it’s quite soft in comparison with my Zuiko lenses, so I think I’ll sell it on. It hasn’t fared too badly with this scene though.
Olympus OM-2n, Tamron Adaptal 28-70mm f/3.5-5.6 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10 mins @ 20°.
Taken on 28 June 2020
I think I’m suffering from pandemic-induced weight-gain. I spent the first few months of the year cutting back on what I eat and had lost about 15lbs in weight before the lock-down was enforced. I’ve now seen my weight slowly creep back up and it’s now increased by maybe 4lbs.
My lifestyle hasn’t changed significantly since the introduction of the lock-down and, if anything, I’ve been going out for regular walks more frequently than before (although longer hikes have been curtailed). The problem is that I’m eating more, which I suspect is down to some underlying stress and anxiety about the pandemic.
This is clearly something I need to get a handle on – the thought of those months of dieting being wasted is not something I really want to deal with, so I think I’m going to have to start being properly strict with myself about it from now on.
Today’s photos are of The Hepworth gallery and were made back in March. Not everyone is a fan of the building’s brutalist architecture, but I like it and it offers a lot of possibilities for making photographs.
Canon Sure Shot Supreme & Ilford Delta 400.
Taken on 14 March 2020
This small, seemingly abandoned (or at least in need of some repairs) building is located in Eckington, a few miles from my home. I’ve glanced at it on several occasions as a potential photo subject, but on the day I took this it was sat in brilliant sunlight, so I stopped the car and took the shot.
Zeiss Mess-Ikonta 524/16 & Fomapan 400.
Taken on 21 December 2017