On the morning I took this, I’d hoped for clear skies and an autumnal golden-hour, but this was somewhat scuppered by a fast approaching band of rain. But because the wet weather was approaching from the west, it made for an attractive rainbow, and the front of this otherwise mundane office building was thus transformed.
Fujica GW690 & Kodak Portra 400. Lab developed. Home scanned and converted with Negative Lab Pro.
One of the more noticable structures in Sheffield is the university Arts Tower. While it is not very tall when compared with towers in other cities (it’s not even the tallest building in Sheffield) at a mere twenty stories, the fact that it sits partway up the hillside beside Western Bank means that it is visible from far afield. It should be noted that far afield in this case is probably still not that far – Sheffield is a hilly city (said to be built on seven hills, like Rome) so the best views of the Arts Tower are from the north east where it can be seen from further down the flatter area around the Don valley. It can be seen peeking over the top of hills from various locations as well though.
The building opened in 1965 and housed the Departments of Landscape, Modern Languages, Philosophy, Biblical Studies, and Architecture. There were eighteen arts departments located in the tower originally although, as the university and student body has grown, some of these have moved to new locations.
One of the most well known features of the building is the paternoster lift system, with many a tale being told of people going right over the top of the looping elevator system. Most of these are from people unaware of how a paternoster works and under the assumption that the unfortunate passengers would be somehow flipped upside-down as the lift reached its apex. They do make for better stories though. 🙂
It being such a focal point in Sheffield’s skyline, I’ve taken a good number of pictures of the tower which can be found here.
Yashicamat 124G & Lomography Color Negative 100. Lab developed. Home scanned and converted with Negative Lab Pro.
After yesterday’s post about how I really don’t enjoy the process of developing film, and how I’d put off developing a roll for a somewhat weak reason, today I pulled my finger out and got the job done. It wasn’t urgent, so I could have left it another week – after a period where I was running out of new photos to use in the blog, I now have three full rolls of stuff, two of which were waiting to be scanned even without developing this new roll – but if I’d left it, then the job would have been hanging over me like a cloud, and I might even have ended up with a backlog if I shoot more stuff in the interim.
Anyway, it’s done now. All developed. All cut and sleeved. All the equipment washed and tidied away for next time.
I got rid on my stop-bath and fixer today too. They’ve had 15 or 16 films through them and the stop-bath was starting to change colour slightly. I might have eked a few more rolls out of both batches but I’d rather not risk a ruined roll, so I’ll need to make some fresh solutions next time.
I also managed to drop the freshly washed roll onto the shower cubicle floor while squeegeeing the moisture off it, necessitating my re-dousing it with the remaining wetting agent. Thankfully the shower floor was pretty dry and not covered with soap bubbles or anything like that, and the negatives look ok on first glance now they’re dried. I said some profane words when it happened though. 🙂
The last of my three Yashicamat photos from Doncaster in today’s post. Of the three, I think this one is the best. It only came about when I took an idle glance upwards while walking back to the shopping centre where the car was parked. I liked the curved layers of the building.
It always pays to look up every now and then. There’s a lot to miss otherwise.
Although I don’t think it would suit everything, the vignetting caused by using this crop-sensor lens on a 35mm film camera works very nicely on B&W inages I think. It adds a definite mood to the images.
This shot is one of my favourites from the roll. I think it would have worked ok with just the building, but the front of the canal boat really gives it a bit of oomph.
So this lens vignettes Adding mood and grit to shots Centering the eye
If you catch a quick glance of this photo it can seem a little odd – at least it does to my combination of eyes and brain. For a moment it looks like the building is symetrical, with to identical ends seperated by the garage doors. It isn’t of course – both ends are different in both shape and size – but before you catch yourself in this realisation it looks like perspective has somehow gone out of whack and the far section of the building is smaller than it should be. Or is it just me?
My eyes can play tricks Or is it my silly brain That’s really to blame?
Globe Works is a former cutlery factory situated in the Shalesmoor area of sheffield.
The building has a Grade II listed status and was renovated in the 1980s. The building is now home to a number of businesses, creative endeavours, and start-ups.
The works dates back to 1824 and was one of the largest specialist steel-making facilities in the world at the time, and possibly the first ever custom-built cutlery factory. As well as cutlery, they produced scissors, tools, and even specialised in the manufacture of Bowie knives for the American market.
The building has seen off a number of threats through its history, including a bombing by union activists in 1843, an attempt to remove the listed status by the town planning committee so it could be bulldozed to make way for a road, and, most recently – in 1978 – an arson attack that left the site derelict until the restoration work took place in the 1980s.