Film photography · Medium Format · Photography

Festive wheel

The Christmas market is in Sheffield this year again – I don’t think it was there last year due to the pandemic lockdowns that were in place. The market has had quite a lot of complaints on local social media apparently (although I’ve learnt to try and avoid local social media lest I gnash my teeth to powder at the ignorance and general crappy attitudes that prevail). Apparently it doesn’t compare favourably to previous years, or in comparison with the markets in some other places around the country. Too many food stalls and not enough gifts and other non-edible gifts are amongst complaints I’ve heard.

I think we should be grateful that the current situation is allowing the market to take place at all. It might not be at it’s best (although it looked pretty much like every other UK Christmas market I’ve visited) but maybe let’s give it a bit of leeway given the current global situation.

It’s very rare to see these markets with snow present (apart from the fake variety) as it’s unusual that we get any before Christmas. Even though it was wet and slushy and mostly gone, it was definitely a little bit festive to see these seasonal (not really) weather conditions.

Festive ferris

Yashica Mat 124G & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 27 November 2021

35mm · Film photography · Photography

Before the riders arrive

As I might not have full access to my PC to post for a few days while we’re having some decorating done, I’ve pre-written a few posts with older pictures that I haven’t posted before (I hope!). As I’m a little stuck for time to write them, they’ll each have this same boilerplate text. If I get back on my PC earlier than usual I’ll probably put the remaining ones back into the drafts folder for emergencies.

You’re not going to escape the crappy haiku’s though…

Hey crappy haiku
Why assault my senses
With your rubbish verse?

FILM - Summer's attractions under construction

Nikon F80, Nikkor 28-80mm f.3.5-5.6 AF & Fomapan 400.

Taken on 20 February 2019

35mm · Film photography · Photography

North towards Sewerby and Flamborough

The photograph today shows the view looking north from Bridlington harbour, with the beach stretching on towards the village of Sewerby with its well-tended bungalows and from there, where the beach falls back into the cliffs, the spit of land that curves around to Flamborough Head.

Flamborough is a place on my list of locations to visit this summer, although I’m not sure if I’ll get there or not yet. I stayed in a cottage there once when I was young on a trip with my grandparents and cousins. Flamborough is a small place and is the location of a lighthouse and a number of scenic coves which, at low tide, allow exploration of the cliff-foot and sea caves.

Flamborough lighthouse
It’s glow to be seen afar
From land and from sea

Stretching north

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 27 May 2021

35mm · Film photography · Photography

Ferris wheel

I’ll sign off from this run of expired Fuji Sensia photographs with another funfair image with the lovely blue-sky tones contasting with the warm browns of the ferris wheel on Bridlington seafront.

There are more seaside images yet to come, but with a change to black-and-white.

A boy named Ferris
Once took a day out from school
And killed his friend’s car

Big Wheel

Canon Sure Shot Supreme & Fujichrome Sensia 100 (expired 2003).

Taken on 27 May 2021

35mm · Film photography · Photography

Big Wheel

There’s another photo of this already in the blog from a week or two back, although that one was shot on my Mess-Ikonta (albeit taken on the same day). That one was a wider shot from further down one of the streets approaching the market square, as opposed to this one that was a bit more up close and personal.

FILM - Big Wheel

Canon Sure Shot Telemax & Kodak Tri-X.

Taken on 22 February 2018

Film photography · Medium Format · Photography

Just browsing

Several shots on this roll of Neopan 400 were affected by light leaks (the film had now wound tightly onto the take-up spool, and so some light got in when I opened the camera and removed the film. As a result I’ve had to crop some of the shots (including the one of some market stalls below). Not ideal, but at least they’re not completely written off – although one or two of them still show the leaks a bit even after cropping.

FILM - Just browsing

Zeiss Mess-Ikonta 524/16 & Fujifilm Neopan 400.

Taken on 22 February 2018