Two bandstands, both in Queen’s Park, Chesterfield – the same place I photographed the cricket field. At least I think they’re both bandstands – the second one is much larger and almost looks like a carousel with nothing to ride.
Perhaps in summer The sound of a band may sound Tiddly om pom pom
Early last month, on a bright sunny day, I took a walk around Weston Park, Crookes Vally Park, and the surrounding areas. I took my Yashica Mat 124G loaded with some Lomography Color Negative 100 film, and my Sure Shot Telemax containing some Kodak Gold (the results from which I’ve been posting here over the past week or so).
This was the first time I’ve used the 100asa Lomography Color Negative variant, although I’ve shot several rolls of the 400asa version and liked the results. As is my current process for medium format colour films, these have been home-scanned as linear tiff files with my V550 using Vuescan, and then converted to positives using the free Grain2Pixel Photoshop plug-in. I found that, while the initial conversions looked pretty good, I’ve still had to tweak them to get them looking “right” – or at least as “right” as my own eyes reckon they should be. Grain2Pixel is a very good piece of software, especially given it is free-of-charge, but I do find that I have to remove colour casts sometimes depending on the film I used. The scanner (Epson V550 for medium format / Plustek 8100 for 35mm) can also make a difference too.
Occasionally, certain frames from a roll produce very odd results – oftem at odds with the rest of the shots from the same roll. I tried using the trial version of Negative Lab Pro to compare with the Grain2Pixel results on some of these and it also went slightly crazy – with colour tones looking very odd. All the shots here today were pretty straightforward to deal with though.
Anyway, the three photos today are all from the Lomgraphy 100 roll, shot with the Yashica, and all three made in Weston Park (with the museum visible in the first, the bandstand in the second, and the nearby Univesity Arts Tower in the third). Autum was underway, but the trees still held onto most of their leaves and a good amount of green at this point.
Yashica Mat 124G & Lomography Color Negative 100. Grain2Pixel conversion.
I visited the town of Barnsley on Saturday. There are three photo exhibitions currently on show at the Barnsley Civic that I wanted to see. The one that attracted me initially was Broth Tarn, a collection of gritty northern street photography by Sean O’Connell. It was featured in The Guardian newspaper recently and looked to be right up my street. O’Connell has an Instagram feed that features his work here.
The other exhibitions were Barnsley Markets 1982 – 1987 featuring photographs by Harry Brooks taken in the 1980s of, you guesed it, Barnsley Markets, and North: Fashioning Identity which explores nothern identity and fashion which features work by many photographers, including Peter Mitchel and John Bulmer. While the latter exhibition wasn’t my prime reason for the visit, I very much enjoyed the experience (and took a few photos while exploring the photos and displays).
While I’ll likely be publishing some of these photos, this is pretext to today’s pictures which were taken later in the day when I stopped off at Elsecar Heritage Centre on my journey home. By this time, despite the lovely early morning sunlight at the start of my trip, a thick fog had descended across the entire region, and fog’s not something I like to miss if I get the chance, so I set off to get some more images before I headed home.
Across from the heritage centre is a park and Elsecar Reservoir, and in the park is a bandstand. I loved the way it looked in the fog, backed by misty skeletal trees and flanked by empty benches. I’m a Stephen King fan, and the scene evoked the bandstand in the fictional town of Castle Rock where a terrible event takes place in the novel The Dead Zone.
As well as the Zeiss, I also had the Holga with me and took further pictures with that, so they might turn up in a post in the coming days too.