35mm · Film photography · Photography

Driven to abstraction

As I type this it’s after 11pm here. I normally write these blog posts much earlier but today got waylaid trying to successfully scan some Portra 160 negatives. I thought I had a good system in place for getting the colours how I wanted them, but somewhwere along the line that particular train has left the tracks, and my scans looked like crap.

My process has been to scan as a linear tiff file and then invert using the Grain2Pixel plugin in Photoshop but today, for some reason , it’s made the colours look horrible on the frames I’ve scanned so far. So, after messing around for a while, I’ve resorted to EpsonScan of all things. While I use this Epson software very successfully for my B&W medium format scans, I’ve never been too happy with the results for colour photos. Today, however, it seems to have made the best job so far.

I found this blog post by Colton Allen about scanning colour negatives with EpsonScan that has proven extremely useful and given me some pretty decent results. If I can figure out the issue with Grain2Pixel I’ll resume using that (and will use it on a roll of Colorplus I’ve yet to scan – but that’s 135 format and will be scanned with my Plustek, so a whole different ball game anyway), but for now I’ll use EpsonScan for this roll

I’ll post the Portra photos in an upcoming post, but today no colour faffing is required for this black-and-white abstract image of a birch tree reflected in a water.

Wibbly wobbly tree
Gelatinous in water
Shimmering beneath

Reflected birch

Olympus OM-2N, Zuiko Auto-S 50mm f/1.8 + orange filter & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 29 March 2021

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