This morning I decided to get up early and go make some photographs. A lot of trees are starting to turn and there are some gorgeous colours to be seen in their foliage – colours that would look extra nice in the light of an early morning sun. The weather forecasts over the past few days – right up to when I went to bed last night in fact – had stated that it would be cloudless first thing today, with duller weather coming later, and the dew point indicated a chance of mist. When I woke up, I took a look out the window to see how it looked and, sure enough, the skies were free of cloud to a degree, although there was still quite a lot about. So I got dressed, grabbed my camera and tripod, and had a quick breakfast. When I stepped out of the front door twenty minutes later the sky was covered with cloud from horizon to horizon.
I briefly considered just going back inside, getting undressed again, and getting back into the warm bed. But I didn’t. In for a penny, in for a pound as the saying goes and, even without the clear skies, I still thought there might be a chance of mist in the river valley where I planned to go.
There was no mist.
I have several weather apps on my phone. None of them seems to be any better at correctly forecasting the weather than a pine-cone or bit of dry seaweed hung outside the door. One of them once told me that the location where I was experiencing pouring rain at that very moment was actually in full sunshine. If they can’t tell you what the weather is doing in the present, what hope do they have at predicting the future? Anyway, rant over.
Deciding against making any photos in the dull, unflattering light – no point wasting film – I decided instead to drive to a nearby car-boot sale. It would be the first time I’ve visited a boot sale this year. Partly due to lockdown, but also because I’ve just had other things to do at weekends. I always have a slight frisson of expectation when I visit these places. The dream of picking up a Leica or a Hassleblad for next to nothing, that sort of thing. The dream didn’t come true today, sadly, but I did find another film camera, the only one I saw on all the stalls. It looked in nice condition – boxed with the manual – and the seller only wanted £1 for it, so I decided to rescue it.
It’s not a camera I wanted or needed at all – it’s a fairly nondescript 35mm compact – a Fujifilm DL-270 Zoom Super (catchy name, eh?), with a 35-70mm zoom that starts at a slow-ish f/5.6 and goes downhill from there as you zoom in, granting f/11.2 at the long end. It look s like the sort of camera that someone who wanted to take pictures but lacked any interest in photography would have bought in the 90s. But, for the low price, I’ll give it a go and see how it performs (maybe on a bright day though!). The last camera of this ilk that I used, a Samsung Fino, made surprisingly sharp pictures. Hopefully Fujifilm stuck a decent (if slow) lens inside.
As a bonus, there was a boxed roll of Fuji C200 in a box on the same stall, and the seller kindly threw it in with the camera. I expected it to be expired by fifteen years or something, but it only expired in July this year. Even if the camera is a bust, I still got a bargain roll of pretty fresh film! On top of that, there’s also a roll already in the camera. When I stuck a battery in when I got home (the included battery being dead), it powered up and showed frame 1 on the LCD. This probably means one of three things:
- The roll of film is completely unused. Bonus!
- The roll is partly used, but the counter has reset due to an elapsed battery. I’m not sure if this would happen though.
- At some point someone has opened the back of the camera while it had the film inside, resetting the counter and probably ruining the film. This is the option I think is most likely (although the other, fresh, roll of film I got with it might indicate otherwise). I believe the camera is one of thosa that unloads the entire film when inserted and then rewinds each exposed shot back into the cannister though, so any shots already on the roll might be safe (whatever they might be), but the unexposed remainder might be toast.
Whatever the case, I’ll shoot the roll that’s inside and then, depending how I feel, maybe another. After that, unless it stuns me with the results, I’ll likely pass it on to someone else. But at least it will live on.
And finally, nothing to do with the rest of the post, here’s a nice colourful photo I made with the Yashica Mat the other week…
Yashica Mat 124G & Kodak Portra 160.
Taken on 14 September 2020